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V.com weekend: Dvorak's New World Symphony, what is your favorite movement?
November 17, 2007 at 1:02 AM
Next week, Americans celebrate Thanksgiving, and in honor of that holiday I'd like to dedicate this week's vote to Dvorak's New World Symphony.As an American, I really feel Dvorak got it right, that this work laid the groundwork for expressing an American sound through a European medium, the symphony orchestra, which by now is an American medium as well.
I first played this piece in high school, or maybe junior high. It is often one of those early pieces that a violinist plays in youth orchestra. As such, one perhaps starts dismissing it. Not this overplayed symphony, that I've been playing since I was 12!
Yet every time I hear the sorrowful strains at the very beginning of this symphony's first movement, it sucks me right in.
The second movement is the movement that reaches my core, as an American. Though Dvorak only made it as far west as Iowa, this music takes me not only to the great plains, but also to the high plains, to the pristine parts of Colorado I saw as a child, to the Navajo territory of the southwest. (Here is the second part of that recording of the Largo).
The third movement is a great romp, with triangle. Unless it's played all on the guitar, OMG!
And as far as music to just plow into as a violin section, who can beat the fourth movement?
What is your favorite movement? Or have you just heard or played this piece so many times that you can't go there?
Posted on November 17, 2007 at 2:35 AM
I know it's overplayed, but still a damn good symphony...everybody needs to hear the recording conducted by Ferenc Fricsay--best I've heard!
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Posted on November 18, 2007 at 10:31 PM
I@ve been `playing` this symphony since I was ten whihc scares the prunes out of me. I wish it wan`t given to such young orchestras much of the time . I consider it to be a highly deceptive piece tha of all the Dvorak symphonies I think this one requires the highest level of skill from the orchestra. What I mean by this is that becaus eit is so beautiful in so many places players/condcuters can let so much detail slide. But , as you know, the same passages reoccur so often with one step difference in dynamic or a slight difference in articulation and to get all the detial of thiw work right is a -major- undertaking taking a lot of rehearsals. Somehting that alas, all too frequently are not allowed becuas eit is assumed everyone knows the `Ne wWorld.`
Cheers,
Buri
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