Congratulations to violinist Augustin Hadelich, violist Richard O'Neill, the group Black Violin, as well as all the nominees announced Tuesday for the Recording Academy's 63nd Grammy Awards, which will take place January 31.
The Florida-based classical/hip-hop group Black Violin, featuring violinist Kevin Sylvester and violist Wilner Baptiste (who go by Kev Marcus and Wil B), was nominated in the category of "Best Contemporary Instrumental Album" for its recording "Take the Stairs." Keep reading...
I miss live music.
I do value the virtual and recorded music that I can still access -- through my various devices and a few good speakers. And of course, I have continued to "make music" in the ways that I can -- playing my violin alone, collaborating virtually, and teaching virtually.
Thanks to the live-music-starvation diet handed to me by the pandemic, though, I'm reaching a new appreciation for the profound difference between the live and virtual performance experience. Playing together over Zoom is not the same as the back-and-forth of playing a duet, in person, with one of my students. Virtual collaboration not the same as playing quartets in the living room. It's not the same as my lone violin voice becoming one with many in that giant organism that is the symphony orchestra.
And watching live-streamed performances is not the same as being part of a full audience, in one grand room, witnessing a musical performance together. And Zoom church - what I would give, just to sing in church again!
"Psychologically, there is a huge difference between an empty, silent room, and a room silent, with attentive, listening people," Anne-Sophie Mutter told me during a 2010 interview. "It's a totally different atmosphere, and in that atmosphere wonderful things can happen."
Absent that atmosphere, music-making can feel like an oddly lonely endeavor. Keep reading...Comments (6)
I've never seen a scientific study on the subject, but from my perspective, it would seem that many pieces in the repertoire - from concertos to symphonies - are generally played faster than they were when I was growing up last century. I know that not everyone has been on the planet for 50 or more years, but we all do listen to old recordings. What are your thoughts on the matter? I'm open to the idea that I'm being selective, and that tempos really haven't changed that much. But does anyone else feel this trend toward faster tempi? And whatever you feel the trend is, do you like it? Please participate in the vote, and then share your thoughts. If you agree that there is a trend, why is it happening? In what way is it happening? Do you have your own examples? Are there groups or certain conductors that you notice going faster or slower? And when do you enjoy a more brisk tempo? Is there a place for slower tempos? Comments (17)
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