June 26, 2006 at 12:57 PM
It started the way many a love affair has -- a starry June night, a chance encounter in a hot tub, the gentle swoosh of the Pacific Ocean beneath us, a conversation that led to That Subject. “You’re a violinist?” I asked the woman in the hot tub across from me. “Oh this is such a coincidence! I’m about to start a writing project that has a violinist as one of its characters and I plan on learning everything I can in the next year. Maybe even take a lesson or two!” Then came the proposition. “So… if I paid you for a few lessons, would you, like, play some tunes for me during that session?”Thus was voiced the first of my naïve assumptions that now, a year later, has me cringing in shame. But I’ve always found shameful confessions in my writing to be good for a laugh. Therefore, without further ado, I present my list of top ten stupid assumptions I’d made this time last year, before ever picking up a fiddle. That’s right, folks. I’d neven ever touched a fiddle. Oh, the shame…
Top 10 Assumptions
10) That I could learn all I needed to know about being a violinist by taking four or five lessons.
9) That my plan was simply to conduct field research and not get emotionally involved. Never had been a musician, never would be, and that sort of thing.
8) That an investment of $250.00 in a violin was rather extravagant.
7) That a year spent reading sheet music would mean that I’d be a pro at sight-reading and not have to murmur “Every good boy does fine” to myself when struggling through a new tune.
6) That I’d be able to keep my fingernails long and pretty.
5) That not having the aforementioned would bother me terribly.
4) That after a year of lessons, I’d be able to play with vibrato.
3) That intonation was something you “got” after a few months, like the chicken pox or the clap, and then it was done and you could move on, issue addressed and conquered.
2) That after an entire year of study, I wouldn’t be a beginner anymore.
1) That I’d be posting these confessions on my own blog at violinist.com, a forum that was so irrevocably out of my league twelve months ago, it might have been in a foreign language.
Pausing from my snarky tone to extend my humble thanks to all of you here for helping me learn so much in the past year.
The worst feeling is the time between posting and receiving a reply. If the time grows long, the urge to throw a few robes over my blog becomes very intense. So, thank you for saving me this time, Karin!
I've finally unpacked enough here in Ottawa to pick up my viola and start practicing again. Now to find a teacher.
Again, congrats on becoming hooked on making music.
Neil
This entry has been archived and is no longer accepting comments.
Violinist.com is made possible by...
Dimitri Musafia, Master Maker of Violin and Viola Cases
Johnson String Instrument/Carriage House Violins
Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine