www.geocities.com/conniesunday/
Neil
If you had a student that assumed that s/he would get into a top conservatory with ease, but wouldn't listen to your advice and critique, what would you do? Just keep correcting the same G#? Tell him/her one more time that s/he shouldn't swell so much on that note? How many times can you keep saying the same thing to the same person?
The advice she finally got from a couple of people was good -- lay down some requirements, encourage the student to meet them but require them to really work hard. That kind of experience is one that will help the student figure out for him/herself whether s/he should be aiming for a high level professional career in music.
I'd also add to that some remedial repetoire -- go back to the Kreutzer etudes, and Wolfhardt, as far back toward beginner as you need to in order to find appropriate skill development. Encourage the student to compete in competitions at an appropriate level, and do your best to prepare them. Having an external adjudicator can be that voice of reason that tells the student that they really need to work harder if they want to succeed.
Local musical groups can be an opportunity for peer review as well. It should become clear to a student pretty quickly where they rate in a group, according to the opinions of the others in that group.
Put yourself in the teacher's shoes as well as in the student's shoes. It's a touchy, frustrating situation.
This entry has been archived and is no longer accepting comments.
Violinist.com is made possible by...
Dimitri Musafia, Master Maker of Violin and Viola Cases
Johnson String Instrument/Carriage House Violins
Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine