We have thousands of human-written stories, discussions, interviews and reviews from today through the past 20+ years. Find them here:

What's that big violin over there?
August 8, 2012 at 9:17 PM
The Viola.The butt of all jokes,
relieved by the presence of Oboes,
After all Oboe jokes are true.
I can't understand the world's insults on the viola. To my ears it is the great color of the orchestra. Under my chin lies the suspension of every chord, at least I like to think that way.
But we, The Violists, still get picked on. I was reading a free book from an unknown author on my kindle last week when I read a mocking description of the viola in the orchestra. The sentence went something like this.
The violas C string resembles the death of a moose, while the A a shrill bird screeching.
Needless to say I disagreed quite a bit.
Historically the violist was a poor violinist. A sub-par musician unable too play the more challenging violin parts. This reflects in the music of that time as well. Today while playing Water Music by Handel in a rehearsal I noticed that while every other instrument was doing 16th runs I was playing a steady quarter note run, Excuse me Mr. Handel but I am more then able to play more then quarters on open strings!
Maybe instead of complaining about past composers I should urge new composers here....We are competent! I know not every modern composer gave these boring parts to the viola...But so many do!
(I may seem like I'm being irrational and stereotypical. I am being irrational and stereotypical, Just ranting!)
Posted on August 9, 2012 at 2:33 AM
every year i think about picking up a viola and downgrading for better gigs... :\
Posted on August 9, 2012 at 2:49 AM
Posted on August 9, 2012 at 4:18 AM
Posted on August 9, 2012 at 12:44 PM
Posted on August 9, 2012 at 12:49 PM
Posted on August 9, 2012 at 12:48 PM
Posted on August 9, 2012 at 12:58 PM
---Ann Marie
Posted on August 9, 2012 at 1:16 PM
Ann that's great. I hope that the current U.S. Gov. continues expanding the arts...I was speaking with a bassist who was in close to 10 orchestras just in Manhattan and Brooklyn. "Back in the day"
Posted on August 9, 2012 at 2:51 PM
Posted on August 9, 2012 at 3:56 PM
When arranging for the quartet, I'm a bit self-conscious of the fact that as violinist I get a bit of spotlight, so I intentionally put the melody on the violas quite often.
Oh, and if you ever get the chance to play Wilhelmj's Air on a G String adapted for string quartet...savor the muted viola!
Posted on August 9, 2012 at 5:53 PM
Posted on August 9, 2012 at 6:15 PM
Posted on August 9, 2012 at 8:30 PM
Rob- That's an incredible idea, I've never seen anything like that. Have any audio of these arrangements? Sounds like an interesting middle mix. And I will check out the wilhelmj.
Lisa- Ya know I think I was experiencing that in orchestra today...haha, that'll be my excuse!
Charlie- One of my favorite bands. I never thought of having that piece as a total orchestra...Now in my head it works out nicely
Posted on August 10, 2012 at 3:41 AM
Posted on August 10, 2012 at 1:12 PM
Posted on August 12, 2012 at 7:04 PM
Shifting to high positions is extremely difficult, just because the viola is so big. Also, fast notes are hard because the viola takes longer to speak unless you play FFF.
Mahler, Strauss, Stravinsky, and other composers of this era wrote great viola parts. In Mahler's 9th symphony, there are more principle viola solos than concertmaster solos.
This entry has been archived and is no longer accepting comments.











