We have thousands of human-written stories, discussions, interviews and reviews from today through the past 20+ years. Find them here:
Printer-friendly version

June 27, 2006 at 10:14 PM

The highlight of yesterday for me was the masterclass with Robert Spano. Each of the four quartets played a Bach Chorale. My quartet sight-read "Christ lag in Todesbanden." The other three quartets sight-read "Es ist genug: Herr, wenn es dir gefallt," "Mach's mit mir, Gott, nach deiner Gut," and "Herzlich thut mich verlangen."

I learned a lot about how to play Bach from Mr. Spano. I also learned how to read soprano and tenor clefs. Believe it or not, the masterclass really showed me how we must compromise to make the music sound as good as possible. There is also a lot of dissonance between the first and second violins in "Christ lag in Todesbanden," so I had to work with the second violinist to try to bring out the tension.

Franklin Pond is going to be a good experience for me. Although, playing violin all day could be a bit stressful. Yesterday morning, I started off sight-reading Ravel and a few quartets from Beethoven Op. 18. That was a lot of fun. Then, Mr. Hancock worked on the Schubert with us a little, but we mainly focused on The Bartok piece. The bartok piece is actually an arrangement by Tibor Sedley of one of the Mikrokosmos etudes. It is the 142nd study of 153 and is entitled "From the Diary of a Fly." It was a lot of weird things. There are double stop glissandos that go up an octave, not to mention that there is almost always someone playing sustained ponticello notes and two of us in dialogue with sautille whole tone scales. But, I really love the Agitato section. It is a wonderful clash.

In the afternoon after the masterclass, we went upstairs and worked with our coach, Daniel Laufer, who is the second chair cellist in the Atlanta Symphony Orchestra (http://www.atlantasymphony.org/meetthemusicians/orchestra.aspx)

Then, around 5:00, I met my mom and we went home. What was really cool is that Ronda Respess made binders for all sixteen of us that contains all of the scores to the music that every quartet plays as well as all four of the Bach Chorales plus some articles from Arnold Steinhardt called "Zone of Magic" and one from a magazine with an article on preventing injuries.

I am glad that this camp only meets every Monday. Otherwise, I would be so tired.

This entry has been archived and is no longer accepting comments.

Facebook YouTube Instagram RSS feed Email

Violinist.com is made possible by...

Shar Music
Shar Music

International Violin Competition of Indianapolis
International Violin Competition of Indianapolis

Violinist.com Shopping Guide
Violinist.com Shopping Guide

Violinist.com Holiday Gift Guide
Violinist.com Shopping Guide

Larsen Strings
Larsen Strings

Peter Infeld Strings
Peter Infeld Strings

JR Judd Violins
JR Judd Violins

Dimitri Musafia, Master Maker of Violin and Viola Cases
Dimitri Musafia, Master Maker of Violin and Viola Cases

Pirastro Strings
Pirastro Strings

Thomastik-Infeld

LA Phil

Bobelock Cases

FiddlerShop

Fiddlerman.com

Metzler Violin Shop

Bay Fine Strings Violin Shop

Violin Lab

Barenreiter

LA Violin Shop

Johnson String Instrument/Carriage House Violins

Corilon Violins

Nazareth Gevorkian Violins

Subscribe

Laurie's Books

Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.

Violinist.com Interviews Volume 1
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn

Violinist.com Interviews Volume 2
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine