I also learned a thing or two, such as don't play Schradieck too fast.
It's all scales and fun in the beginning, but the arpeggios in the bottom third of the exercise nearly killed me. I was forced to stop and play it at a more reasonable tempo.
However, the good news is that I am feeling the "sticky, taffy" stuff in my bowing during this exercise.
I am to work on my Kreutzer etude again this week, and boy is it anoying. Who can honestly trill well with their fourth finger? Oh well, I worked on it a LOT last week and got it up to an intermediate level (if there is such a thing). I'm working on my form this week.
I have tension in my jaw, as discovered by Dr. Eanes. It is just another problem I have to work on.
I recently had the priviledge of meeting another one of my teacher's students. He is a junior in college, and I am a junior in high school. Anyways, he's playing the third movement of Bruch for a concerto competition next wednesday, and I have been able to hear him play twice.
So, hearing him play bruch made me want to go through it. I learned it last year, and it wasn't up to par, but looking through it a couple of days ago made me realize how far I have improved in only a short time.
Anyways, I have discovered the importance of practice not just scales, but double stopped scales.
lol, my thirds and sixths have gotten much better, now.
And fifths are VERY difficult to play in tune. I always end up putting my finger more on one string than the other instead of directly in-between.
argh
school is busy. I dislike AP classes.
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