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The Week in Reviews, Op. 101: Philippe Quint, Anne Akiko Meyers, Kenneth Renshaw
Written by Laurie Niles
Published: October 6, 2015 at 8:21 PM [UTC]
Philippe Quint performed the Sibelius with the Springfield Symphony Orchestra.
- The Republican: "Mind-boggling technique, passionate interpretation, and relaxed demeanor combined to render Quint's performance exciting, engaging, and amazing."

Philippe Quint. Photo Credit: Benjamin Brolet
Anne Akiko Meyers performed Bernstein's Serenade with the Vancouver Symphony.
- Northwest Reverb: "Wielding immaculate technique, artistic finesse, and a deep understanding of the music, Meyers wonderfully conveyed Bernstein’s somewhat esoteric music in a personal, tangible way."
Kenneth Renshaw performed Prokofiev's Violin Concerto No. 2 with the Oakland Symphony.
- San Jose Mercury News: "Renshaw impressed with intelligent phrasing, crisp intonation and straightforward eloquence. In the concerto's outer movements, the violinist combined incisive articulation with dramatic expressiveness; his playing in the slow movement was both rapturous and clear-eyed, a secure blend of warmth and eloquence."
Vilde Frang performed the Korngold with the Orchestre Symphonique de Montréal.
- Montreal Gazette: "She found treasures in this swashbuckling, overblown effort from the father of Hollywood film music. The cadenza in the first movement was aggressive — a message to Tortelier, head buried in the score? — and magnificent. Frang found quiet darting lines throughout, like a figure skater, and when the orchestra lumbered back in, it was like a lovesick whale bursting through the ice."
Jack Liebeck performed the Dvorak with the Melbourne Symphony Orchestra.
- The Sydney Morning Herald: "Here is a talent with an individual voice, confident in articulation, capable of vehemence without stridency and a lilting elegance of phrasing, best heard in the concerto's eloquent adagio: a memorable highpoint in this exemplary concert."
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