
January 26, 2006 at 2:06 AM
I'm lucky that my husband and brother-in-law (who's living with us temporarily) were born to musical parents and are used to listening to real practicing, or else I'd have been thrown out of the house last night. I worked on the same four measures of the Introduction & Rondo Capriccioso for half an hour. (Measures 4-8 of the Più allegro section, in case anyone's curious.) The passage starts and ends on the same C#, so I was able to make a nice little loop and go through it over and over and over...Not just blind repetition, though. That was how I practiced in childhood, but no more. The best thing about my current teacher (oh, how I wish I'd had someone like her when I was young and had TIME) is that she's really taught me how to practice so that I actually improve. I know now that to play in tune, I need to 1) know what the notes are, 2) know where to put my fingers to play them, and 3) actually put my fingers in the right places.
My first problem is that I can't easily identify notes that are written four or more ledger lines above the staff. So I first had to go through and figure out, "Ok, that's a B, that's an F#...". Then I had to figure where all the whole steps and half steps were so I'd know exactly where to put my fingers. Finally, I had to work on actually putting my fingers where they were supposed to go. It's only in this last step that repetition is useful. If you don't know what you're trying to do, doing it over and over again isn't going to get you there.
That said, I'm now managing to play those four measures in tune at about 1/3 the speed that they're eventually supposed to go. I'll keep at it, and I hope the speed will come. I keep thinking of that scene in "The Red Violin" where the little kid plays to a metronome that's sped up gradually until he reaches his goal.
Man I hear ya on the ability for people to understand that practice isn't supposed to sound pretty... Have some occasional house guests that just don't seem to get it.
Mind you that was when I was learning violin. She hasn't done that since I switched to viola. :)
The speed will come Karin.
Neil
Practicing better sound pretty! Otherwise you sound ugly. Makes sense, eh?
Joshua Bell is simply fantastic.
I love that scene. Almost more than the scene where he has a heart attack. Maybe more. xD
This entry has been archived and is no longer accepting comments.
Violinist.com is made possible by...
International Violin Competition of Indianapolis
Violinist.com Holiday Gift Guide
Dimitri Musafia, Master Maker of Violin and Viola Cases
Johnson String Instrument/Carriage House Violins
Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.

Violinist.com Interviews Volume 1, with introduction by Hilary Hahn

Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine