We have thousands of human-written stories, discussions, interviews and reviews from today through the past 20+ years. Find them here:
Printer-friendly version
Karin Lin

Over and over and over again...

January 26, 2006 at 2:06 AM

I'm lucky that my husband and brother-in-law (who's living with us temporarily) were born to musical parents and are used to listening to real practicing, or else I'd have been thrown out of the house last night. I worked on the same four measures of the Introduction & Rondo Capriccioso for half an hour. (Measures 4-8 of the Più allegro section, in case anyone's curious.) The passage starts and ends on the same C#, so I was able to make a nice little loop and go through it over and over and over...

Not just blind repetition, though. That was how I practiced in childhood, but no more. The best thing about my current teacher (oh, how I wish I'd had someone like her when I was young and had TIME) is that she's really taught me how to practice so that I actually improve. I know now that to play in tune, I need to 1) know what the notes are, 2) know where to put my fingers to play them, and 3) actually put my fingers in the right places.

My first problem is that I can't easily identify notes that are written four or more ledger lines above the staff. So I first had to go through and figure out, "Ok, that's a B, that's an F#...". Then I had to figure where all the whole steps and half steps were so I'd know exactly where to put my fingers. Finally, I had to work on actually putting my fingers where they were supposed to go. It's only in this last step that repetition is useful. If you don't know what you're trying to do, doing it over and over again isn't going to get you there.

That said, I'm now managing to play those four measures in tune at about 1/3 the speed that they're eventually supposed to go. I'll keep at it, and I hope the speed will come. I keep thinking of that scene in "The Red Violin" where the little kid plays to a metronome that's sped up gradually until he reaches his goal.

From ES The Paranoid
Posted on January 26, 2006 at 3:08 AM
I think that little kid was actually Evil Linda before the goatee...

Man I hear ya on the ability for people to understand that practice isn't supposed to sound pretty... Have some occasional house guests that just don't seem to get it.

From Neil Cameron
Posted on January 26, 2006 at 3:40 AM
Eric, you're worried about house-guests. I have a cat that when she decided she didn't like my practicing would come to the door of the room and scratch until I opened it. She'd then let out an almighty yowl and turn on her heel(s) and walk off tail held high.

Mind you that was when I was learning violin. She hasn't done that since I switched to viola. :)

The speed will come Karin.

Neil

From Jim W. Miller
Posted on January 26, 2006 at 4:45 AM
Actually, it was sped up until he had a heart attack.

Practicing better sound pretty! Otherwise you sound ugly. Makes sense, eh?

From Karin Lin
Posted on January 26, 2006 at 5:30 AM
No, Jim, he had a heart attack when he was about to play in front of some noble dude. He did manage to get to the highest metronome speed, when he was gearing up for the audition.

Joshua Bell is simply fantastic.

From Evil Linda
Posted on January 26, 2006 at 9:09 PM
How..wha? You found out Eric? AHhh! My secret is out!

I love that scene. Almost more than the scene where he has a heart attack. Maybe more. xD

From Colleen Russo
Posted on January 29, 2006 at 2:09 AM
Karin I know exactly what you mean about that scene in The Red Violin!! I can never get it out of my head, and he makes it look so easy!!

This entry has been archived and is no longer accepting comments.

Facebook YouTube Instagram RSS feed Email

Violinist.com is made possible by...

Shar Music
Shar Music

Pirastro Strings
Pirastro Strings

International Violin Competition of Indianapolis
International Violin Competition of Indianapolis

Violinist.com Shopping Guide
Violinist.com Shopping Guide

Violinist.com Holiday Gift Guide
Violinist.com Shopping Guide

Larsen Strings
Larsen Strings

Peter Infeld Strings
Peter Infeld Strings

JR Judd Violins
JR Judd Violins

Dimitri Musafia, Master Maker of Violin and Viola Cases
Dimitri Musafia, Master Maker of Violin and Viola Cases

Thomastik-Infeld

ARIA Academy

Sounding Point Academy

LA Phil

Bobelock Cases

FiddlerShop

Fiddlerman.com

Metzler Violin Shop

Bay Fine Strings Violin Shop

Violin Lab

Barenreiter

LA Violin Shop

Johnson String Instrument/Carriage House Violins

Corilon Violins

Nazareth Gevorkian Violins

Subscribe

Laurie's Books

Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.

Violinist.com Interviews Volume 1
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn

Violinist.com Interviews Volume 2
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine