January 4, 2008 at 10:32 PM
Thanks Bilbo.Stroh violins are much louder than a standard wooden violin, and the directional projection of sound made the Stroh violin particularly useful in the early days of phonographic recording. As regular violins recorded poorly with the old acoustic-mechanical recording method, Stroh violins were common (though by no means universal) in recording studios. After record companies switched to the new electric microphone recording technology in the second half of the 1920s, Stroh violins became less common. While the Stroh produces significantly more volume, it does this at the expense of tone, offering a sound that is harsher and more grating than a standard violin. On early records the Stroh violin can be recognized by its characteristically thin whining tone.
The Stroh violin was an expensive instrument; in 1911 it was offered by the London dealers Barnes & Mullins for nine guineas (£9.45, then equal to $37.80) or twelve guineas (£12.60 / $50.40) at a time when a reasonable factory violin could be had for two guineas. It was listed as being especially suitable for use in small theaters and music-halls. There was also a Stroh viola.
David Rebeck, of the New Orleans Klezmer Allstars, playing a Stroh violin in a New Orleans Mardi Gras parade
A few musicians, including Tom Waits, Thomas Newman, and Bob Cohen for the Klezmer and múm, continue to use the Stroh violin for its distinctive sound. The Stroh violin is also an instrument used in folk music of Bihor region of Romania. Famous musicians of this music style are: Florica zaha, Florica Duma, Florica Bradu, Cornel Borza, Florica Ungur, Leontin Ciucur, Felicia Costin, Petrica Pasca.
This entry has been archived and is no longer accepting comments.
Violinist.com is made possible by...
Dimitri Musafia, Master Maker of Violin and Viola Cases
Johnson String Instrument/Carriage House Violins
Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine