
February 2, 2006 at 10:55 AM
Something was different today. As I settled the monthly scheduling and billing with the mother, the little girl spun around the room like a drum roll, clutching her piano books with glee. I’ve seen enthusiasm in students, but this ranked equal to something you’d see on Christmas day. She stopped just long enough to display her piece for me, pages open high, hiding her gleaming face. I read the title, “Song of Joy.” Yes, that’s nice.“Veftoken!”
Hmm? Song of Joy? ...Oh! Silly me, I hadn’t even caught it. My little Veftoken girl had finally achieved the fabled Ode to Joy. Well, now I’ve done it, I’ve gone and introduced her to Beethoven.
We’ve been at the piano together for months now. Every week was a struggle to make sense of A-B-C, left hand, right hand, half note, quarter-quarter, one-two-three-four. Her energy made it difficult to maintain focus some days, but her explosive creativity was like gold to me. If only we could channel it for good use, we would have a great adventure.
Can you see the black notes moving up and down? Do you hear the notes going higher and lower? Can you feel the count to four as you play? Every week, the questions repeated, the battle began anew, and I watched and waited, hoping for the breakthrough.
This was the week that it finally came, and it came in the form of Beethoven. With drama, she pushed her sleeves out of the way and began, singing along as each finger landed. Before, her hands had wondered philosophically, searching for a reason to commit and seeking to make sense of the commands. But now, they had purpose! The left hand was singing Ode to Joy, and each finger had a note to contribute to the cause.
I joined her with simple chords, but felt more like dancing around the room. Lightbulb? Sometimes, these experiences to me are more like a blinding revelation on the road to Damascus. She plays music now. She didn’t before, and now she does.
This entry has been archived and is no longer accepting comments.
Violinist.com is made possible by...
Dimitri Musafia, Master Maker of Violin and Viola Cases
International Violin Competition of Indianapolis
Johnson String Instrument/Carriage House Violins
Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.

Violinist.com Interviews Volume 1, with introduction by Hilary Hahn

Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine