
February 19, 2012 at 1:15 AM
I'm thinking back to my student days when I studied with many eminent violin teachers including Raphael Bronstein, Dorothy Delay and William Kroll. To the best of my recollection, not one of them ever dealt with the topic of phrasing -- well, perhaps a passing remark or two, but nothing in a consistent, ongoing, manner. When I joined a chamber music class with Leonard Shure it was a revelation. He was a student of Schnabel and was obsessive about the Schnabel approach to phrasing --- and now it goes to HERE, and now it goes to HERE, and now it goes all the way to HERE!! One of my fellow students at Mannes was a young kid named Murray Perahia. I think I learned more about phrasing from him than from anybody else. At any rate, phrasing seems to be a much neglected topic these days.The way I was taught to phrase is to move up and down with the musical line. If the music goes up, go up with it. If the music moves down in the line, go down with it. Dusi Mura, one of the most sought after musicians in the world during her time taught me this, as she was a family friend of ours.
-Thomas
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