
June 4, 2006 at 7:48 AM
Hello all =)I started playing the violin when I was 11 and, 14 years later, still look to it as my ever-present friend. None of my other friends have ever been able to accomplish this feat. Although, to be fair, none of my other friends have resided in my room/apartment 24/7 for the past 14 years. And it can be difficult to find a friend willing to talk or be with me at 3:00 AM. They generally follow the socially acceptable behavior of being asleep at this hour (as they should!). For this 4th-year Ph.D. student, 3:00 usually means I'm debugging my thousand-line computer programs. And just when I'm ready to go look for a hammer, I see my violin and wisely decide to start burning off energy on it. So, for another night, my computer's life is spared.
So, I spent my childhood in Texas, attended Texas A&M for two years before getting my B.S. in chemical engineering (2001), and then worked for ChevronTexaco in New Orleans immediately after. In September 2003, I moved cross-country to start Ph.D. work at Rutgers University in New Jersey. The free way to earning a M.S., though at at a heavy price. 5 years is a long time and there's a reason why so few people pursue the doctorate. Who wants to still be in school after 25?
It's a long, mostly frustrating journey, and chances are that most people (read: friends, family, people at random social events) won't be able to understand even the fundamentals of what one's thesis work is based on. It's a lonely journey. At the same time, the promise of additional job security is alluring. At 20, I was earning just under 60K working for ChevronTexaco. At 27, with the Ph.D., it will be $65-80K.
When I was 18, I was told that it took exceptional talent to be a professional violinist who could command salaries competitive with what I eventually earned as a process engineer. Somehow I doubt I could have earned this much at my respective ages of 20 and 27...Does anyone know what the average salary is for a prof. musician? Is it a realistic scenario for a professional violinist to command a salary in the $50-80K range while still in their 20s?
Seven years later, I don't regret my decision to pursue chemical engineering instead of music. I of course kept my violin, practiced whenever I could, and learned new music styles as my life took me to New Orleans and New Jersey. Both Cajun and Irish fiddling are very enjoyable ways to spend an hour, though it's really quite an interesting experience to play a Baroque, Romantic, and fiddling piece without any breaks in between.
Example: Earlier this evening, I tried the Vivaldi A Minor (Suzuki 4), Perpetuo Mobile, Accolay A Minor (Solos for Young Violinists, 3), and a Cajun fiddling piece J'Ete au Bal (I Went to the Dance). Three styles of music, same instrument, same bow. One of the best practices I've had in a long time =)
Technically, I'm able to play pieces at the Suzuki 7 and Barber 3 level. I'm guessing that the technical aptitude varies among all the bloggers here, so hopefully my own technical competency falls somewhere within this range - it certainly would be nice to meet a community of other violinists with whom I don't feel completely outclassed in ability, even though I might not fall under the usual categories of the people posting (e.g. high school, music major, professional violinist, teacher).
Welcome again. I look forward to hearing more from you.
This entry has been archived and is no longer accepting comments.
Violinist.com is made possible by...
Violinist.com Holiday Gift Guide
Dimitri Musafia, Master Maker of Violin and Viola Cases
International Violin Competition of Indianapolis
Johnson String Instrument/Carriage House Violins
Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.

Violinist.com Interviews Volume 1, with introduction by Hilary Hahn

Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine