We have thousands of human-written stories, discussions, interviews and reviews from today through the past 20+ years. Find them here:

College Rep-Please Help

May 29, 2011 at 04:05 AM ·

Replies (6)

May 29, 2011 at 04:19 AM ·

The people you will be auditioning for will have heard it all at this point. I very much doubt that the difficulty of the piece you choose to play will leave much of an impression. It really isn't an option of which piece is better, it's which piece you believe you can play the best.

Of course, I suppose it's a different story if can you play all of those pieces up to audition standards...

May 29, 2011 at 03:22 PM ·

I think Lalo is a fine choice if you play it well.

May 29, 2011 at 03:39 PM ·

Manhattan only requires a movement of a concerto and two movements of Bach. I know a girl (who I used to be in the same studio as) who got a very good scholarship from them auditioning on the 1st movement of the Lalo.

May 29, 2011 at 10:37 PM ·

 You might ask the faculty of the summer programs for input on which suits you better-- Kenneth Goldsmith (my former teacher) will be available to you quite a bit between the two programs; perhaps you should ask him. 

Bach G minor fugue is at least as big an undertaking as a Paganini caprice. I would weigh it as well in considering your concerto and etude/caprice.

May 30, 2011 at 12:52 AM ·

Play one piece that shows you off to your best.  Especially if it is easier, you should be able to present a much more polished (professional) performance for your audition (nuance, phrasing, artistry).  For the other piece, choose a piece that demonstrates the upper end of your technical ability (even if it is not quite as well polished--although you should try to do as professional a job as you can. 

May 30, 2011 at 10:29 PM ·

This discussion has been archived and is no longer accepting responses.

Facebook YouTube Instagram RSS feed Email

Violinist.com is made possible by...

Shar Music
Shar Music

JR Judd Violins
JR Judd Violins

Dimitri Musafia, Master Maker of Violin and Viola Cases
Dimitri Musafia, Master Maker of Violin and Viola Cases

Pirastro Strings
Pirastro Strings

International Violin Competition of Indianapolis
International Violin Competition of Indianapolis

Violinist.com Shopping Guide
Violinist.com Shopping Guide

Violinist.com Holiday Gift Guide
Violinist.com Shopping Guide

Larsen Strings
Larsen Strings

Peter Infeld Strings
Peter Infeld Strings

Thomastik-Infeld

ARIA Academy

Sounding Point Academy

LA Phil

Bobelock Cases

FiddlerShop

Fiddlerman.com

Metzler Violin Shop

Bay Fine Strings Violin Shop

Violin Lab

Barenreiter

LA Violin Shop

Johnson String Instrument/Carriage House Violins

Corilon Violins

Nazareth Gevorkian Violins

Subscribe

Laurie's Books

Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.

Violinist.com Interviews Volume 1
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn

Violinist.com Interviews Volume 2
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine