
We often hear tips on how to practice more efficiently or sightread or learn music theory
. But it's hard to teach someone--and to learn--how to become a better performer. Why is performing so difficult? Probably because as musicians, we spend far more time playing for ourselves, alone, than we ever do playing for other people.
There are many ways to prepare for a performance, including taking your practice out of the practice room and into a masterclass setting. There are many ways to prepare for a performance, including taking your practice out of the practice room and into a masterclass setting. (Photo by David A. Wolfe)
I mean, this makes total sense. Say you spend 100 hours practicing a piece before it's "performance ready." But once you've worked on a piece, having played it for yourself and for your teacher, does that mean you're ready to take it to the stage in a recital or concert setting?
Perhaps. But there's another step, another place and setting where you can "perform before performing," and prepare yourself even more effectively for your upcoming debut. That setting is in a masterclass.
What is a Masterclass?
A masterclass is a session where a group of students have the unique opportunity to perform for and critique each other. Typically, a masterclass is a gathering of all the students under the tutelage of a single teacher. At each masterclass a few students will perform a piece they have been learning in their private lesson. After the performance of their piece, the teacher and/or students will offer their commentary, critiques, suggestions, and (if you're with nice people) praise and encouragement!
Guest Artist Masterclasses
You might have the opportunity to attend a special masterclass with a guest artist. Accomplished performing artists often offer a masterclass in conjunction with a performance held. For example, an artist might perform a recital at a university, then conduct a masterclass with music students at the school. This allows students to gain an even broader perspective from a musician other than their private teacher or professor.
Where are Masterclasses Held?
Almost all college and graduate schools incorporate masterclasses as part of the music curriculum. Younger and older students who aren't studying in a conservatory setting may have the opportunity to attend masterclasses through their schools, private studios, youth symphony programs, camps, festivals, or other music forums.
The Benefits of Performing in Masterclass
Performing in a masterclass is one of the best ways to conquer your nerves, overcome performance anxiety, and stand up to perhaps the toughest audience you'll ever have. I've often felt more intimidated to play in a masterclass of five students who play my instrument than to play for an audience of 100 people who may have never even heard a string bass solo. But that's the beauty of the masterclass: you get the best tips from people who understand what you're doing and how to do it.
Masterclasses offer you extra sets of ears to hear things you don't hear, different perspectives on the interpretation of the music, and a "practice audience" who will give you extra-useful feedback on your performance. A thorough critique of your performance by a group of musicians may be hard to swallow, but it will help you develop as a musician far more than the 100th "Good job!" someone says after your recital.
Of course, those "good jobs" are so, so worth it to hear because it means you accomplished something AMAZING by performing live music! And attending masterclasses can be a huge help towards the successful accomplishment of that great task.
The KV Concert Series: Upcoming Workshops
Speaking of guest artists and masterclasses, we invite you to attend the first performing in our fall concert series! Dan Levenson will be performing on Friday, September 27 at 7:00pm in our recital hall at Kennedy Violins (508 SE 117th Avenue, Vancouver, WA 98683) and conducting workshops on Saturday, September 28 at 4:00pm and 6:00pm.
Hope to see you there! Visit kennedyviolins.com/concerts for more details.
It's that time of year again! (Photo by Phil Roeder)
I'm seeing photos pop up on Facebook and Instagram of my friends' children ready for their first day of school--backpacks on, fresh new outfits, big smiles. And while these courageous kids may be a little nervous to tackle a new year, it's often the parents who feel more overwhelmed when school starts up again. We're getting a glimpse of that at Kennedy Violins as parents call us in preparation for orchestra season.
There is so much to worry about: filling out registration forms, buying new school clothes, sizing up that endless list of school supplies, getting everyone fed and dressed in the morning, meeting with the PTA, getting to know your child's teacher, hoping your child has good friends and stays out of trouble . . . it's enough to make you want to just sit still at a desk for a few hours while someone lectures you about the Civil War.
And then there's homework. Before you know it, the dining table is buried in notebooks and papers and textbooks and (these days) a laptop or two. And somewhere, underneath a pile of backpacks and sports equipment you might find your child's violin.
For children in school music ensembles, there's yet another somewhat-intangible task that needs to be accomplished between all that homework: PRACTICE. Because not all music teachers require their students to keep a practice log that will be graded, the expectations to practice are vague for most studens who don't know how much, how often, or simply when to practice during the school week.
As a parent, you want your child to succeed in both academics and extracurriculars, but finding a balance can be a real challenge. (See Back to School: Music, Extracurriculars & Life Balance.) So when your child is stressing out about a book report due on Friday, is it possible to step away from Bronte to spend some time with Brahms? Does practice interrupt study time, or does study time interrupt practice?
Hopefully neither. When it comes to encouraging your child to practice AND do well with their studies, here are a few tips to keep in mind:
Homework, homework, homework. (Photo by John Morgan)
Need a change of pace? Try practicing outdoors with a friend! (Photo by John Benson)
________________________
There are only so many hours in a day. (Photo by Dave Stokes)
Living a balanced life.
Easier said than done. Just ask the Kennedy Violins staff during back-to-school season; i.e. NOW.
Back in the day I remember having a high school schedule totally inundated with an overabundance of extracurriculars, especially during my junior and senior years. After all, college applications were due and I needed to beef up my resume. I was hoping for a music scholarship, so naturally I had to be involved in everything possible:
The world was mine. I could do it all . . .
. . . that is, until I found myself completely overwhelmed. One day in particular, I remember breaking down in tears, realizing I couldn't be in three places at the same time. I had just landed a great role in the spring production of Shakespeare's The Tempest after auditioning on a whim. Having never been in a play before, I was so excited by the possibility of acting on stage for the first time. But, unfortunately, rehearsals would conflict with lacrosse practice and my youth symphony's rehearsals and spring concerts.
What to do? I didn't want to let my team down. I didn't want to let my conductor down, or my section, especially as I was standing principle. But I also didn't want to let myself down and my own dream to try something new.
So a hard decision was made. I chose to do the play. And as torn and sad as I was to step aside from sports and music for a short season, I look back on my high school years and treasure being a part of The Tempest as one of the most rewarding, memorable, and just plain fun experiences of my life.
Of course, I haven't acted since . . . but I do still play music. So not all was lost. The truth is, you just can't do everything and do everything well—at least not at the same time. It was a hard lesson learned, but a truth I had to accept.
___________________
Truth is, lessons aren't really just a one-hour commitment per week. Every one-hour lesson requires hours of practice in between to be worthwhile. Music lessons not accompanied by personal practice end up being a waste of resources for all parties involved (the student, the teacher, and the parents). So while it may seem like you're doing your child a favor to enroll him/her in as many extracurricular activities as you can possibly squeeze in, remember that each activity has the potential of drawing value from the others.
And really, there are so many good choices: music (to which we're biased, of course), drama, sports, art, dance, clubs, student government, and more. For each individual's interests, there are good choices--then there are better choices, and the best choices. As Ghandi so well put it,
"Action expresses priorities."
So as the school year begins, and those choices present themselves, keep in mind that there are only so many hours in the day. Still, even with those limited hours, it is possible to achieve great, great things.
Happy learning, and best wishes. Let the school year begin!
More entries: August 2013
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