We have thousands of human-written stories, discussions, interviews and reviews from today through the past 20+ years. Find them here:
Printer-friendly version
Karen Allendoerfer

Letting go

January 24, 2008 at 12:45 PM

I've been thinking about "letting go." Most modern uses of the term are meant to be positive: letting go of grief, of "baggage" of various sorts, of anger, of perfectionism, and of "yourself," whatever that really means.

But when I "let go" it often doesn't work.

Even though I'm supposed to be taking viola lessons, I went to my teacher (who plays both instruments) this week with the violin for help with the William Tell and Copland.

Although I have a pretty good handle on the fingerings and left hand for the fast 16th notes, I am using too much bow. That became glaringly apparent after only a measure or two. I thought had been using only a little bit already. No. "Think about an eighth of an inch." Hmm. It already sounds less frantic and out of control. A little more work on placing the string crossings carefully and it's cleaner, too. That's all fine for the pianissimo, but look, there's that big crescendo, followed by a big ff. "Yes, you can play louder and use more bow, but you don't have to carry the fortissimo there. You can let the brass really carry it."

This is true. Again, it sounds much better when I'm not trying to get as much volume as I can out of my somewhat muffled instrument.

But there are a few times in this piece, and in others, where it seems like it just calls for you, the player, to go all out. To "let go." To play fast and furious and fortissimo. To, for a while, just let your guard down and play. Without thinking about an eighth of an inch of bow and about the brass and on and on.

Sometimes, when I'm alone by myself, channeling the past, it can feel like those places get smaller and smaller until there are none left. There's always something to be "careful" about, to be tripped up, to be self-conscious about, to engage the left brain, to take up rather than to let go.

My teacher now is really nice, and encouraging. I realize that one reason this is so, is that she is very skilled at finding the nugget of good, the grain of promise, in what I did on my own during the week. Even if my playing in the lesson is not really where it could be yet (and it never is), she helps me feel that my effort, and my joy, and my letting go, weren't wasted. That's why I look forward to lessons every week.

From Tom Holzman
Posted on January 24, 2008 at 3:01 PM
Let 'er rip! That's what you want to do. Damn the consequences.
From Terez Mertes
Posted on January 24, 2008 at 7:09 PM
>Sometimes, when I'm alone by myself, channeling the past, it can feel like those places get smaller and smaller until there are none left. There's always something to be "careful" about, to be tripped up, to be self-conscious about, to engage the left brain, to take up rather than to let go.

Wow, profound words, useful on many levels!

This entry has been archived and is no longer accepting comments.

Facebook YouTube Instagram RSS feed Email

Violinist.com is made possible by...

Shar Music
Shar Music

JR Judd Violins
JR Judd Violins

Dimitri Musafia, Master Maker of Violin and Viola Cases
Dimitri Musafia, Master Maker of Violin and Viola Cases

Pirastro Strings
Pirastro Strings

Los Angeles Philharmonic
Los Angeles Philharmonic

Elmar Oliveira International Violin Competition
Elmar Oliveira International Violin Competition

Violinist.com Shopping Guide
Violinist.com Shopping Guide

Larsen Strings
Larsen Strings

Peter Infeld Strings
Peter Infeld Strings

Bobelock Cases

Violin Lab

Barenreiter

Bay Fine Strings Violin Shop

FiddlerShop

Fiddlerman.com

Johnson String Instrument/Carriage House Violins

Southwest Strings

Metzler Violin Shop

Los Angeles Violin Shop

Violin-strings.com

Nazareth Gevorkian Violins

Subscribe

Laurie's Books

Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.

Violinist.com Interviews Volume 1
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn

Violinist.com Interviews Volume 2
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine