
August 20, 2013 at 11:39 AM
As high school wound down to an end, I had mixed ideas as far as my future plans were concerned. I went from feeling reluctant to go to college to eagerly applying with the hope of a scholarship. Then, during my senior year, I really started considering not just where I would gain my higher education, but in what emphasis of study I'd immerse myself. At the time, I was very dedicated to two creative pursuits: the visual arts (painting) and the performing arts (classical string bass).
To paint or to play? That was the question. Even though I majored in music, I still enjoy painting.
When I approached my private bass teacher, the principal of the Colorado Springs Philharmonic, with my decision, he surprised me with the question, "Are you sure you want to major in music?" At the time, the symphony was facing serious financial troubles with a lack of funding and drama within the board of directors. Sometimes, apparently, the music business can be no fun.
I went on to major in music--mostly because playing the bass was something I was good at, so why not keep going with it?--but looking back, I wish I had considered some of the following questions regarding my decision, my goals, and my future.
Now that ten years has passed since graduating high school, I am grateful for my music degree and to still be performing, teaching, and sharing a skill (not just a hobby) developed during my years of collegiate study.
So if you (or your child, friends, or associates) are facing the decision to study music, ask yourself the following questions to bring some light to the subject:
My program required three hours of practice per day. Exhausting, but so worth it!
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Oh, I almost forgot! I play the violin...haha
There have been a lot of young people asking about whether they should pursue a music career. Perhaps the simple answer (like the near-proverbial one about the price of a mink) is if you have to ask, probably not. I am not a musician by profession but a scientist - I became that because there was no other option in my mind. The same is true for most creative arts (yes discovery science is exactly that) - you really should not be able to imagine yourself doing anything else. No doubt people with hesitations do succeed but I'm going to guess that they also spend a lot of time second guessing themselves.
When I was a Juilliard I felt very ignorant about the world outside of music. I never really had to learn how to learn (write papers, do research, learn about things that I didn't already know) until after I graduated, and then I was pretty much on my own. It's more difficult teaching yourself subjects you don't understand than it is to learn musical things on your own.
There was music and there was "everything else." If I had it to do over again (I'm 54) I would have gone to a good college, participated in musical activities, and taken as many music classes as I could, but I would have studied "something else." Perhaps it might have been history (which I now love), perhaps it might have been geography (another passion), or perhaps it might have been something in the sciences. My father, who was the principal violist of the Boston Symphony for most of his career has a Ph.D in chemistry.
There are many other excellent musicians who have successfully lived "double lives" and have not had to face the anxiety of coming out of your college years with possibilities that are already limited by the musical "marketplace." It was different 50 years ago. It was hard 30 years ago. It is almost a crapshoot to get an orchestra job or a tenure-track position at a university these days. If you go the university route, you most certainly need a doctorate, and even then you will be lucky to get a position as an adjunct. Freelance work, chamber music, and even solo work you can do if you study something in addition to music.
Corey Cerovsek went to Indiana University to study math. Yo-Yo Ma went to Harvard and was a music major, but he was able to study anthropology there. Midori stopped playing concerts for a while and got a college degree in psychology. I imagine it saved her life to be able to use her mind.
The most economical thing to do is to follow my friend Danny Morganstern's advice: go to a good college in a musically-active city, and take lessons from the best teacher you can find. Paying that teacher for a bunch of private lessons over the course of a few years will probably cost you less than it would cost to study with a teacher of the same calibre at a conservatory.
A good and well-connected teacher will help you get into the freelancing scene, and you can find people to play chamber music with who are music majors. Good musicians will value what you do well regardless of your major.
Recently, I have been leaning towards majoring in something else (while simultaneously taking violin lessons) and getting a master's in music instead, but when I saw your comment, I made my decision. Granted, I will still stick to my new teacher , but I am going to have to re-orient myself during my senior year and really focus on academics. I still want to be able to practice hard and perform from time to time, but with less pressure than I would have had if I decided to go through with auditioning for music schools (and inevitably, the worries that would follow after college graduation). Thanks!
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