We have thousands of human-written stories, discussions, interviews and reviews from today through the past 20+ years. Find them here:
Printer-friendly version
Daniel Blomdahl

Permission to use a song

January 11, 2007 at 8:50 PM

How would one go about getting permission to use a song?
From Ben Clapton
Posted on January 11, 2007 at 11:43 PM
First you need to find out who controls the copyright. In Australia, this is easy because we only have one copyright council. However, in America, you need to make sure you use the right one. You contact them, and ask for permission to use it. You will be asked things such as what will you be using it for, will you be making any money from it, etc, and then charged an appropriate fee.

If it's something such as U2, it might be very expensive to get permission. However, if it's a local band that hasn't made it big yet, you might be able to go to them directly and get them to give you permission for a nominal fee.

From Daniel Blomdahl
Posted on January 11, 2007 at 11:52 PM
When you refer to: owns the copyright. Do you mean the one who published the song?
From Ben Clapton
Posted on January 12, 2007 at 7:03 AM
Generally, yea, the person who wrote the song is the copyright holder - unless they have sold their copyright. In America there are three Performance Rights agencies - BMI, ASCAP and SESAC. Generally, if you want to perform any work in America that is covered under copyright, you need to get a licence from one of these guys. ANd you need to make sure you get the right licence. If, say, you decided to perform a string quartet arrangement of "Kissed by a Rose" and you find out that it's licensed by BMI. You get a licence from them, and also decide to do a quartet arrangement of "Enter Sandman" from Metallica, and assume that because you've gota licence from BMI, it's alright. If an agen from ASCAP turned up at your concert, you would be facing a big fine, because "Enter Sandman" is covered through ASCAP. There are massive fines for infringing copyright, and getting the wrong licence isn't an excuse.

This entry has been archived and is no longer accepting comments.

Facebook YouTube Instagram RSS feed Email

Violinist.com is made possible by...

Shar Music
Shar Music

Larsen Strings
Larsen Strings

Peter Infeld Strings
Peter Infeld Strings

JR Judd Violins
JR Judd Violins

Dimitri Musafia, Master Maker of Violin and Viola Cases
Dimitri Musafia, Master Maker of Violin and Viola Cases

Pirastro Strings
Pirastro Strings

Violinist.com Shopping Guide
Violinist.com Shopping Guide

Bobelock Cases

Violin Lab

Barenreiter

Bay Fine Strings Violin Shop

FiddlerShop

Fiddlerman.com

Johnson String Instrument/Carriage House Violins

Southwest Strings

Metzler Violin Shop

Los Angeles Violin Shop

Violin-strings.com

Nazareth Gevorkian Violins

Subscribe

Laurie's Books

Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.

Violinist.com Interviews Volume 1
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn

Violinist.com Interviews Volume 2
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine