We have thousands of human-written stories, discussions, interviews and reviews from today through the past 20+ years. Find them here:
Printer-friendly version

May 26, 2004 at 8:00 PM

Just thinking about the guys I know who have like 10 violins, 20 bows, and are always looking for a better sound. I don't know if it's a male thing, or a technical thing, but it sure keeps violin shops in business. Me, I kind of just fell for my violin and then sold a mutual fund to get it. It's also kind of funny how one music teacher who is a woman told me that she likes a particular violin because it has a male sound, and the other teacher who is a man, likes the sweet sounding violin because it sounds like a girl. My violin is not sweet, but kind of brash and muscular, and I guess it's because it is a boy violin, and reminds me of my husband. Ha ha, and I play the bow pretty hard on it, my teacher was telling me not to smash into the strings so much.

This entry has been archived and is no longer accepting comments.

Facebook YouTube Instagram RSS feed Email

Violinist.com is made possible by...

Shar Music
Shar Music

Los Angeles Philharmonic
Los Angeles Philharmonic

Violinist.com Shopping Guide
Violinist.com Shopping Guide

Larsen Strings
Larsen Strings

Peter Infeld Strings
Peter Infeld Strings

JR Judd Violins
JR Judd Violins

Dimitri Musafia, Master Maker of Violin and Viola Cases
Dimitri Musafia, Master Maker of Violin and Viola Cases

Pirastro Strings
Pirastro Strings

Bobelock Cases

Violin Lab

Barenreiter

Bay Fine Strings Violin Shop

FiddlerShop

Fiddlerman.com

Johnson String Instrument/Carriage House Violins

Southwest Strings

Metzler Violin Shop

Los Angeles Violin Shop

Violin-strings.com

Nazareth Gevorkian Violins

Subscribe

Laurie's Books

Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.

Violinist.com Interviews Volume 1
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn

Violinist.com Interviews Volume 2
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine