Perfectionism is another problem that I think abounds for musicians. The process of achieving higher and higher levels of technique and artistry is so often negative, and to an extent that's just the way the field works. You "fix" things that are "wrong" and "bad" and they become "better." It is easy to see how this can carry over into one's self-esteem and personal life: "good players = good people, bad players = bad people." I have watched some of my friends become intimidated by those gravely mistaken assumptions, and I myself feel intimidated and pressured to constantly reprove my musical (and personal?) "worth" at every performance. However, I try my best to keep perspective. Many of my fears are technical, yet I find that when I am working best and at peace, it is because I understand that the ultimate aim of having such high technical standards is only to be able to achieve any sound, any nuance of expression, as effortlessly as possible. And so total artistic freedom demands technical security. Perfect intonation, all the time, is perhaps impossible to achieve, but it is still worth striving for, so that as many notes as possible in one's playing will ring as they only can when they are in tune. At any rate, those are some of the ideals I hold, but they can quickly become weighted down when it seems that people want perfect intonation only for its own sake, or virtuosity merely to dazzle and not to move.
I'll see how this weekend goes as far as practicing. Ideally, I would be compelled to practice the entire weekend out of sheer love, but I am not in the same state of mind I was for my last solo recital, nearly a year-and-a-half ago. I try to remember the thoughts and feelings that constantly motivated me back then, but they're a little hazy. Most of all I had the simple confidence and knowledge that I alone retained the power to make myself happy. As humans we need others--yet we need ourselves just as much.
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