March 20, 2012 at 4:33 AM
My favorite pedal is the RMC8 wah-wah and you can see mine comes with EQ which is essential for a great violin wah-wah sound. The "box of rock" was recommended to me by a jazz violinist and the distortion is good and never blows out the system as some violin distortions will. Still, I'd like to try other distortions to see what other sounds I can get.
The two digi delays in succession are classic and wonderful. One alone can act as a nice reverb if I plan it right.
The Whammy is a must for a mysterious but nice chordal rock sound that can waver on demand for solos. The downside is you cannot switch the harmonies by foot, so I have to use one setting per song (unless I reach down during a break and switch it up-- nah, too complicated). The "2 octave higher" or "2 octave lower" settings make for goofingly interesting textures.
The LR Baggs pre-amp, paired with my Schertler Stat-V pick-up, is unbeatable. I haven't been able to find a stronger, more acoustic sound than this.
There's a Samson wireless on there too (upper left) that has come in handy. I must remember batteries, but it's fun and freeing (clothing must have a belt or pants to secure wireless). It gets a lot of "wows."
You can play either an acoustic or electric with this, although with an electric you can forgo the Schertler pick-up. I would still keep the LR Baggs pre-amp just to put some additional EQ in the mix.
I currently use my 1813 Perry & Wilkinson violin with this set-up.
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