September 14, 2009 at 5:33 PM
Listen to my NY recital online, new book, new CD...
Special discount tickets still available for my New York City recital debut
On Tuesday, September 15 at 8pm, I will make my New York City recital debut with my long-time piano collaborator Matthew Hagle. The concert takes place in Symphony Space's beautiful 760-seat Peter Jay Sharp Theatre (2537 Broadway at 95th Street, New York, NY 10025-6990), under the auspices of the New York Chamber Music Festival.
The New York Chamber Music Festival has generously agreed to make a few more tickets available to my friends at a special 50% discount of $17. To receive this special offer, call the Symphony Space box office at 212-864-5400 and give the discount code RBPFAN. Please note that the Symphony Space box office is closed on Monday and will reopen on Tuesday at 1pm. This offer is only valid by phone or in person.
Our program includes Pisendel's Sonata for Unaccompanied Violin (1717), Mendelssohn's Sonata in F Major (1838), Corigliano's Sonata (1963), and Liszt's Hungarian Rhapsody No. 12 (1879-80). Please click here to watch a special preview video.
After the concert, I'll be in the lobby to sign programs and CDs, including my new album "Trio Settecento: A German Bouquet." I'll also sign copies of my new book, "The Rachel Barton Pine Collection" from Carl Fischer Music. Be sure to stop by and say hi!
LIVE radio and internet broadcast of my New York City recital debut
If you can't make it to my New York City debut recital in person, you can still listen to the concert and be part of the celebration. My recital will be broadcast live by Chicago's own classical radio station WFMT, with Bill McGlaughlin hosting. In Chicago, the concert begins at 7pm on Tuesday, September 15, on 98.7FM. You can also listen online for free from anywhere in the world (beginning at 8pm Eastern Standard Time).
IN THE MEDIA: Feature story in the New York Examiner online
Please click here to read about my upcoming recital, new CD, new book, and hanging out with one of my favorite metal bands, Slayer.
IN THE MEDIA: Interview for Violinist.com
My wide-ranging conversation with Violinist.com's Lauie Niles touched on everything from my New York recital, new CD and new book, to Bach's Six Sonatas and Partitas. Please click here to read the entire transcript.
My first sheet music book! The Rachel Barton Pine Collection is now available
FROM THE PRESS RELEASE:
"Carl Fischer Music is honored to announce that violinist Rachel Barton Pine will be the first living composer and woman to be published as part of its Masters Collection with the release of The Rachel Barton Pine Collection... Following in the footsteps of many of the great violinists, including Fritz Kreisler and Jascha Heifetz, who have been published by Carl Fischer Music, the compilation gathers together for the first time Pine's exceptional cadenzas of standard concerti and her composed unaccompanied encore pieces that have engaged audiences around the world as well as other concert works that she has meticulously edited for violin and piano. The Rachel Barton Pine Collection also includes a CD containing piano rehearsal tracks as well as all of the piano parts in PDF form so that musicians can print out a desired part for recital performances."
FROM THE SALES BLURB:
"World-famous violinist Rachel Barton Pine has compiled a collection of 19 pieces, for unaccompanied violin and violin and piano, ranging from her original compositions and cadenzas to virtuoso arrangements featured in many of her popular recordings. Highlights include Variations on The Birthday Song, The Star-Spangled Banner, Caprice on Dixie, Albeniz's Asturias, Berlioz's Symphonie Fantastique, and cadenzas for concertos by Beethoven, Brahms, Mozart, and Paganini. Pine has also authored a detailed introduction commenting on each work. Professionals and students alike will delight in this unique and personal collection."
Purchase The Rachel Barton Pine Collection.
Learn more by viewing the complete contents list and looking inside the book.
Read the Strings Magazine article about The Rachel Barton Pine Collection.
My 16th album is now available - Trio Settecento: A German Bouquet
Trio Settecento follows up 2007's An Italian Sojourn by exploring the gorgeous colors of German Baroque sonatas. Repertoire includes 17th and 18th Century masterpieces by Schop, Schmelzer, Muffat, Kreigher, Buxtehude, Bach, Erlebach and Pisendel. Trio Settecento, formed in 1997, features Rachel Barton Pine on baroque violin, John Mark Rozendaal on viola da gamba and baroque violoncello, and David Schrader on harpsichord and positiv organ.
Purchase A German Bouquet.
Listen to sound clips from each sonata.
Read the press release.
Read Fanfare Magazine's cover story about A German Bouquet, an in-depth interview with Rachel and John Mark.
Upcoming concerts
Please click here to see all of my tour dates through June 2010, with complete repertoire and contact details.
Here are a few upcoming highlights:
Sept 17 - master class at Northern Illinois University and Chausson Concerto with the Avalon String Quartet and pianist Matthew Hagle in DeKalb, Illinois
Sept 18 - Chausson Concerto with the Avalon String Quartet and pianist Matthew Hagle in Chicago
Sept 26 - Glazunov Concerto with the Rockford (Ilinois) Symphony, opening night of 75th anniversary season
Oct 3 - Chausson Poeme and Saint-Saens Introduction and Rondo Capriccioso with the San Juan Symphony in Farmington, New Mexico
Oct 4 - Chausson Poeme and Saint-Saens Introduction and Rondo Capriccioso with the San Juan Symphony in Durango, Colorado
Oct 7 - performance with my metal band Earthen Grave and the Double Door in Chicago
Oct 9 - performance of Italian baroque music with my period instrument group Trio Settecento at the University of Vermont in Burlington
Rachel, I listened to your concert online and loved it. It took me about a half hour to get it streaming on my computer since the radio station you mentioned didn't work for me. I'm sorry that I missed that part of your concert. Is it being archived on the Web so that I and others can listen again?
I loved your discussions of the music almost as much as the music itself. I'm sure that the adaptation of one of Liszt's Hungarian dances for violin and piano would have wowed me in any case. It was so full of pyrotechniques, and the virtuoso parts for violin and piano fit so well together. This is a nearly impossible accomplishment. I was more sensitive to what was happening, and I appreciated it more because of the short talk you gave about it before performing it.
Extensive discussions by the soloist about the pieces to be played in a concert almost never happen except by you . I really appreciated everything you said. Besides the knowledge, you conveyed the fun of every piece you played. Now I'm eager to hear you play the rebec and the viola da gamba.
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Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine