April 28, 2007 at 11:15 PM
Brahms A. Non TroppoThe differences: Nails
Sometimes Hilary reminds me of riding a fast horse. You know, like a Stud that sets you back in your seat at blast off and then the wind pins your ears back and your heart races like mad. I love it. Can that girl fly. So does Mr. Perlman but you can't hear it like you do with Hilary.
Then ... Strad, experience versus the most brilliant high notes in the world - Hahn.
Watch it Perlman, when Hilary gets your experience and more interpretation.
For now ... your are the King
Did you hear her nails slapping the finger board about 1/3 of the way through Allegro non troppo? It is this dimension of her playing alone, that prompted me to make the comparison. Her nails. I think I was at Sony when I heard another piece she was playing, free to listen to, that was even more dramatic. I can hear a finger speed that is not even imaginable to my playing; ever.
And, if she has it, you know Perlman does also. I guess the women are just more exciting - like Da!
This entry has been archived and is no longer accepting comments.
Violinist.com is made possible by...
Elmar Oliveira International Violin Competition
Dimitri Musafia, Master Maker of Violin and Viola Cases
Johnson String Instrument/Carriage House Violins
Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine