We have thousands of human-written stories, discussions, interviews and reviews from today through the past 20+ years. Find them here:
Printer-friendly version
Kelsey Z.

for those who wish to hear the saw

May 27, 2006 at 10:29 PM

For those of you who want to hear the musical saw.....

There is a soundclip in the top, lefthand corner of what the saw sounds like. This isn't quite as haunting as David Hetheringtons performance but you get an idea!

From Jasmine Lewis
Posted on May 27, 2006 at 10:50 PM
Kelsey,we should learn to play the saw together...
From Kelsey Z.
Posted on May 27, 2006 at 11:38 PM
Splendid idea Jasmine! Who wants to use the bow and who wants to do the bending???
From Pauline Lerner
Posted on May 28, 2006 at 8:43 PM
Thanks for the links, Kelsey. You find the most interesting things on the Internet. Have you considered augmenting your future income as a performer and teacher by becoming a music librarian, too? I still don't understand something important. How do you play different pitches with a saw? What is equivalent to putting fingers on different places on the fingerboard of a violin? Please excuse my ignorance; I'm just a violinist.
From Jasmine Lewis
Posted on May 28, 2006 at 9:17 PM
I think you bend the saw in different directions to make different pitches.
From Kelsey Z.
Posted on May 29, 2006 at 12:29 AM
Hey Pauline, I think if i did anything aside from teaching/performing it would have to be composition....I love writing music. My Mom actually seemed really keen that i should consider a double major for awhile but after talking to someone who did a double major in performance and composition i realised that i value sleep too much to attempt that.

As for pitches on the saw, it is the in fact, as Jasmine said, the bending of the saw that creates the different pitches. It's quite fascinating and impressive to seen done live. I remember being absolutely horrified though when I saw David take his cello bow and start in at the saw with it.

This entry has been archived and is no longer accepting comments.

Facebook YouTube Instagram RSS feed Email

Violinist.com is made possible by...

Shar Music
Shar Music

JR Judd Violins
JR Judd Violins

Dimitri Musafia, Master Maker of Violin and Viola Cases
Dimitri Musafia, Master Maker of Violin and Viola Cases

Pirastro Strings
Pirastro Strings

International Violin Competition of Indianapolis
International Violin Competition of Indianapolis

Violinist.com Shopping Guide
Violinist.com Shopping Guide

Larsen Strings
Larsen Strings

Peter Infeld Strings
Peter Infeld Strings

Thomastik-Infeld

LA Phil

Bobelock Cases

FiddlerShop

Fiddlerman.com

Metzler Violin Shop

Bay Fine Strings Violin Shop

Violin Lab

Barenreiter

LA Violin Shop

Johnson String Instrument/Carriage House Violins

Corilon Violins

Nazareth Gevorkian Violins

Subscribe

Laurie's Books

Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.

Violinist.com Interviews Volume 1
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn

Violinist.com Interviews Volume 2
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine