We have thousands of human-written stories, discussions, interviews and reviews from today through the past 20+ years. Find them here:
Printer-friendly version
Jasmine Reese

Question

December 10, 2007 at 7:38 PM

I wonder, what technical and musical aspects I would need to know in order to conquer Vaughn Williams Lark Ascending by Summer other than a solid foundation in playing octaves?


From Tom Holzman
Posted on December 10, 2007 at 7:48 PM
If I recall correctly from doing it a while ago, you need to be really comfortable with notes high on the E string. You would do well to listen to a couple of recordings to get some idea of what interpretive issues arise. It is a showpiece, with all that implies.
From Albert Justice
Posted on December 10, 2007 at 10:47 PM
Search for Janine Jensen's interp. on youtube for one example--there are several there.
From Jasmine Reese
Posted on December 11, 2007 at 1:38 AM
Thanks Tom and Albert. I just finished a 3 hour practice session. I feel so satisfied. I do not see myself hitting a plateau, but if I do...
From Albert Justice
Posted on December 11, 2007 at 9:04 AM
JR, it seems like there's a Hilary Hahn version over there too--I may be wrong.
From Samuel Thompson
Posted on December 11, 2007 at 10:05 PM
Having played the piece frequently, I do have to agree with all of the comments here - particularly with that about playing high notes on the E string.

One thing definitely, for the inner self - poise...this is definitely a piece during which one's temperament can not overrule, as the overall "tone" of the piece is introspective...a bit melancholy. It should all be very peaceful - not without energy, but peaceful - and thinking about that will definitely benefit you overall.

As far as recordings: I personally recommend those by Christopher Warren-Green (on the Virgin Classics "Purple Label", disc is titled Music for Strings by Vaughan Williams and Elgar) - very free in the cadenzas, it actually sounds like a bird - and Iona Brown with the Academy of St. Martin-In-The-
Fields.

And, of course - read the complete poem, which is beautiful. If you'd like I can send it to you.

Sam

Good luck! This will be a joy

From Stephen Brivati
Posted on December 11, 2007 at 10:38 PM
Greetings,
yep. Warren Green and Iona Brown is and was pretty much the best players around in Britain . Fantastic recordings.
Cheers,
Buri
From Jasmine Reese
Posted on December 11, 2007 at 11:03 PM
Thanks everyone.

Yes please, Mr. Thompson. I would love to read the poem...

From Samuel Thompson
Posted on December 12, 2007 at 2:49 AM
Jasmine - You're MORE than welcome, and it's SAM...or SAMUEL....but having grown up in the south, I do thank you... =)

Yeah, Iona Brown and Christopher Warren-Green, some really interesting and amazing playing from the two of them.

From Jasmine Reese
Posted on December 12, 2007 at 5:56 PM
Thank you, Samuel. Of course George Meredith wrote it! So beautiful.

This entry has been archived and is no longer accepting comments.

Facebook YouTube Instagram RSS feed Email

Violinist.com is made possible by...

Shar Music
Shar Music

Pirastro Strings
Pirastro Strings

Los Angeles Philharmonic
Los Angeles Philharmonic

Violinist.com Shopping Guide
Violinist.com Shopping Guide

Larsen Strings
Larsen Strings

Peter Infeld Strings
Peter Infeld Strings

JR Judd Violins
JR Judd Violins

Dimitri Musafia, Master Maker of Violin and Viola Cases
Dimitri Musafia, Master Maker of Violin and Viola Cases

Bobelock Cases

Violin Lab

Barenreiter

Bay Fine Strings Violin Shop

FiddlerShop

Fiddlerman.com

Johnson String Instrument/Carriage House Violins

Southwest Strings

Metzler Violin Shop

Los Angeles Violin Shop

Violin-strings.com

Nazareth Gevorkian Violins

Subscribe

Laurie's Books

Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.

Violinist.com Interviews Volume 1
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn

Violinist.com Interviews Volume 2
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine