We have thousands of human-written stories, discussions, interviews and reviews from today through the past 20+ years. Find them here:
Printer-friendly version

Future projects; new orchestra "season...?"

Joshua Iyer

Written by
Published: October 23, 2015 at 2:06 AM [UTC]

We're moving into the Romantic era slowly for our orchestra repertoire. For our Winter Concert in February, we're playing Brahms' "Tragic Overture", and Elgar's "Serenade for Strings" (I believe). For the Christmas concert, where we have a larger orchestra than usual (with harp for one piece!), we're playing Elgar's "Enigma Variations" (lots from the English composer!), movements VIII and XI, the latter of which is very beautiful, and a couple of modern pieces. I'm very excited with all of this new music we're going to be working with for the next couple of months. I'm sitting right in the middle of the orchestra, in the back (second row) of the second violins, so I'm able to hear a lot more of the winds and brass (and harp glissandos along with violin pizzicatos I play!) than I could before. It's been a lot of fun playing for our first concert, so I'm very excited to continue working.

I'm performing my "Minuet" for piano (although I may be renaming it...) for a recital next week, and Dr. Bancks said he loved how there was Ravel in it, but there was also so much he wouldn't do, that doesn't sound weird... because I did it! I'm taking a small break from my chamber piece, although I'm hoping to get parts out before Fall Break, so I'll have that as something else to practice when I'm back at home... which will be so weird! I've also thought up an idea for a brand-new composition - a "mini-Daphnis", so to speak (Daphnis et Chloe). I'm basing the story off a play I wrote in May 2013 in my Creative Writing class, because as I reread the play I noticed it felt like a film, and like I was writing film music in it. For the time being, I'm just going to sketch motifs, and then I'll wait and see what'll happen with it. If I do decide to work on it throughout the winter, I'm hoping it won't be too long, and I can really focus on precision, like Ravel, that "Swiss watchmaker", as Stravinsky told him. :)

Finally, here is a video I made last week of the Ravel "Berceuse" on violin, which I promised you in my last post. Enjoy! I've been working a lot in the practice room on really producing a good tone I can take with me into rehearsal, but it's been pretty good. I'm also working on a few of the Bartók violin duos I "rediscovered" during my Musicianship class. Each one of them is like a little piece of dark chocolate for the violin. Hopefully I can do a video of me playing through them. In any case, maybe you'll look forward to all these projects to come, as I have quite a bunch of them planned!

This entry has been archived and is no longer accepting comments.

Facebook YouTube Instagram RSS feed Email

Violinist.com is made possible by...

Shar Music
Shar Music

Dimitri Musafia, Master Maker of Violin and Viola Cases
Dimitri Musafia, Master Maker of Violin and Viola Cases

Pirastro Strings
Pirastro Strings

International Violin Competition of Indianapolis
International Violin Competition of Indianapolis

Violinist.com Shopping Guide
Violinist.com Shopping Guide

Violinist.com Holiday Gift Guide
Violinist.com Shopping Guide

Larsen Strings
Larsen Strings

Peter Infeld Strings
Peter Infeld Strings

JR Judd Violins
JR Judd Violins

Thomastik-Infeld

LA Phil

Bobelock Cases

FiddlerShop

Fiddlerman.com

Metzler Violin Shop

Bay Fine Strings Violin Shop

Violin Lab

Barenreiter

LA Violin Shop

Johnson String Instrument/Carriage House Violins

Corilon Violins

Nazareth Gevorkian Violins

Subscribe

Laurie's Books

Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.

Violinist.com Interviews Volume 1
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn

Violinist.com Interviews Volume 2
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine