(Unfortunately, the state of music education being what it is, many people cannot read music or sing in four-part harmony, rendering traditional hymnals somewhat useless.)
Amazing Grace
In the Garden
Rock of Ages
Abide With Me
Holy Holy Holy
Old Rugged Cross
Be Thou My Vision
Come Thou Fount
For the Beauty of the Earth
Eternal Father Strong to Save
It is Well With My Soul
For weddings: Joyful Joyful We Adore Thee
O Perfect Love
For general worship: Amazing Grace
Crown Him With Many Crowns
Morning Has Broken
All Creatures of Our God and King
Blest Be the Ties That Bind
Be Thou My Vision
For Easter: Christ the Lord is Risen Today
I assume you know all the Christmas options.
In either case, although the tunes are catchy, the harmony plays an important part. I do not think solo violin can easily capture this. Then there is the tradition of descants on top of the melody. Again, solo violin is not well suited for this.
Another important point is that these songs are used liturgically based on their text. So choosing works based solely on the music may not result in a corpus that is useful in church.
In terms of hymns here are a few notable ones:
Abide with me
When i survey the wondrous cross
Lo he comes with clouds descending
Jerusalem
Jesus christ is risen today
Be thou my vision
I vow to thee my country
For all the saints for who thy labors rest
The day thou gavest lord has ended
Love Devine all loves excelling
Come thou fount of every blessing
Praise my soul the king of heaven
All my hope on God is founded
Crown him with many crowns
Nearer my God to thee
All glory laud and honor
A propos of what Mark writes, you have a better chance of putting across some harmony if you think in terms of counterpoint, rather than just about chords.
To add to Mary Ellen's list: For Easter, "O Sacred Head Sore Wounded" (also for communion), "Thine Be the Glory, Risen Conquering Son" (I first knew the tune first as "See the Conqu'ring Hero comes", before I sang it in a hymn). For Ascension "Hail the Day That Sees Him Rise".
Also be careful of IP. While all of the hymns that others have listed here are surely in the public domain, if you're using one main hymnal as a source, you might inadvertently make unlawful use of an *arrangement* that is protected.
https://www.forestbrookstudios.com/sacred-hymns-for-unaccompanied-violin.html
and
https://www.forestbrookstudios.com/sacred-hymns-for-unaccompanied-violin---volume-2.html
Paul
There's that one I first sang in the Keswick Hymnal: "Up from the grave he arose", which is one of the more dramatic hymns I've ever sung. I imagine it could be turned into quite a performance piece with double stops and the like. "More about Jesus" is one of the loveliest hymns I've ever sung, combining the mystical with the practical. (I learnt them both at CLTC in the Highlands, not far from Banz on the way to Mount Hagen, when I was a kid in the 70s.)
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