Thank you for posting this info. I like Hadelich's playing really a lot, and this is a gem.
I find that, over the perfection in tone and pitch, he plays with an intention more made of darkness and brightness, more interestingly dynamically than the majority of performers nowadays.
Really a performer that moves me. And it's not that easy, speaking of classical music :)
I've said this before. I've always wondered if the fact that his father was a major teacher who had studied with Sivori who had studied with Paganini is one of the things that makes Francescatti unique. If so (and there's no way to prove it), is one aspect of Francescatti's playing actually that it has a direct connection with Paganini?
Just a thought.
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Just before the encore, notice Hadelich wipes his strings on the sleeve of his jacket! Respect!!
But, I have to agree with Buri that this performance with FRSO was incredibly sensitive and utterly convincing.