Kronos Quartet announced Tuesday that after more than 45 years with the ensemble, violinist John Sherba and violist Hank Dutt will retire in June, following the ensemble's 50th-anniversary season.
TheThe remaining members, violinist and founder David Harrington and cellist Paul Wiancko (who joined in 2023) will be joined by two new members: violinist Gabriela Díaz and violist Ayane Kozasa.
Dutt joined Kronos in 1977, and he and Harrington recruited Sherba to join the group in 1978. Since that time, the Kronos Quartet has grown from an upstart ensemble to a global cultural force, performing thousands of concerts around the world and selling more than 4 million recordings on Nonesuch and other labels – more than any other string quartet in history. The group has commissioned more than 1,100 new works and arrangements to date, and has won three Grammy awards (and 12 nominations) and numerous other prizes.
In 2017, Kronos Performing Arts Association inaugurated the Kronos 50 for the Future project, commissioning 50 works designed expressly for learning and distributing them for free. More fundamentally, Kronos has transformed the string quartet medium itself, bursting through stylistic and geographical boundaries, and incorporating sound design, lighting, and theatrical elements into its presentations.
"It is a dream come true to have been involved in the birth of so many important compositions, to have experienced all the major halls and their audiences, to have performed with an astonishing array of guest artists, to have worked with our amazing manager, Janet Cowperthwaite, our staff, and our KPAA board, to have made many recordings, and most importantly, to have been surrounded by the incredible Kronos players, past and present," Sherba said. "I can’t believe I am approaching 70! I have decided, with a lot of contemplation, to free up my calendar, retire from Kronos, spend more time with my family, and spontaneously pursue my many other passions."
Here is a haiku Sherba wrote about his impending retirement:
New lands call, heart sings
Swinging fences, sunlit walks
Silence hums, ‘well done’
– John Sherba
“I cannot imagine a career more artistically rewarding than the past 47 years I have spent with the Kronos Quartet," Dutt said. "Every day has been an adventure, with a steady stream of collaborations with new composers, new musicians, and old friends. But for every thing there is a season. Having celebrated Kronos’ 50th anniversary, I feel now is the moment for me to step back and let a violist from the next generation further the Kronos tradition. I am looking forward to the next chapter of my life in music."
Kronos' new violinist, Gabriela Díaz, is a proponent of contemporary music who has worked closely with many significant composers on their own compositions - composers including Pierre Boulez, Jessie Montgomery, Alvin Lucier, Unsuk Chin, John Zorn, Joan Tower, Roger Reynolds, Chaya Czernowin, Steve Reich, Tania León, Brian Ferneyhough, and Helmut Lachenmann. A native of Georgia, she is the concertmaster of the Boston Modern Orchestra Project (BMOP), and a member of the International Contemporary Ensemble and A Far Cry. She teaches at Wellesley College and the Longy School of Music at Bard College, and is the co-artistic director of the chamber music and outreach organization Winsor Music.
Violinist Ayane Kozasa is a chamber musician, collaborator, and educator. She is a founding member of the award-winning Aizuri Quartet, which she belonged to for eleven years. A winner of the Primrose International Viola Competition, she has commissioned multiple new works featuring the viola. Currently, she is a member of the duo Ayane & Paul with Paul Wiancko. Together, the two collaborated on Norah Jones’ album Pick Me Up Off the Floor, and are also part of Owls, a quartet collective with violinist Alexi Kenney and cellist Gabriel Cabezas. Active in mentoring young musicians, she is on the viola faculty of the University of Cincinnati College-Conservatory of Music, and has been guest faculty at the San Francisco Conservatory of Music and Northwestern University.
Before their official retirement in June, Sherba and Dutt will perform more than 20 shows the quartet, including the Big Ears Festival, The Town Hall in New York, the Library of Congress in Washington, DC, Royce Hall in Los Angeles, and appearances in Toronto, Dublin, Hamburg, Vienna, Zürich, Luxembourg City, Hanover, and Amsterdam, among other cities. They will give their final performances with the group at the ninth annual Kronos Festival, June 20 - 23, 2024 at the SFJAZZ Center in the group's hometown, San Francisco.
"Words can hardly express the depth of gratitude and appreciation I feel for the immense energy, dedication, and single-minded devotion Hank and John have given Kronos every day during all of these years," said Harrington, who is also Artistic Director of the quartet. "Their expertise, good cheer and friendship have been at the heart of all of our work. I wish them everything good in their onward journeys."
Here is a trailer for a recent documentary about the Kronos Quartet, "Kronos Quartet and Sam Green: A Thousand Thoughts":
You might also like:
* * *
Enjoying Violinist.com? Click here to sign up for our free, bi-weekly email newsletter. And if you've already signed up, please invite your friends! Thank you.
The Kronos Quartet changed the way I listened to chamber music, if indeed I listened at all. Previously I'd seen seen chamber music, wrongly needless to say, as something that happened in claustrophobic halls on side streets, performed to thin audiences of connoisseurs. Initially, it was only the quartets of Bartok and Shostakovich that made an impact on me. My late teenage aesthetic can be summed up as the more dissonance and angst, the better. The Kronos was among the quartets that showed me the errors of my thinking. They weren't alone, but they led the way, and as Elisabeth says above, they persisted and won audiences. My final point though is that they led me to circle back to the great quartets of the early twentieth and the nineteenth centuries. I am sure I am not alone in this. It's great to see other quartets taking up the challenges, and continuing the mission that they started and which they mean to continue.
This article has been archived and is no longer accepting comments.
Violinist.com is made possible by...
Dimitri Musafia, Master Maker of Violin and Viola Cases
Johnson String Instrument/Carriage House Violins
Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine
March 7, 2024 at 08:38 AM · Re ~ Further Retirements of The Kronos String Quartet ~ {#1}
It seems like yesterday, when the Kronos String Quartet burst on to the Chamber Music Scene, so young and so uniquely gifted in initial debut performing 'outside the Box; and being hailed in major city venues firstly in foreign European Capital's and after a bit of hesitance here in the United States, the Kronos began to attract major and very important Critic's to their concerts writing well of their ensemble yet I well remember a guarded again, hesitance on the part of major Newspaper Critics to point out the Ensemble of The Kronos yet held back praising their unusual SQ repertoire and must say which was not so much psychedelic but 'different' from almost any of the "establishment" String Quartets when the young Kronos created sound waves amid Set String Quartet Style, aka, The Hungarian String Quartet, so brilliant & musically steeped in tradition and led by the fabled Szkeley, First Violinist and lauded greatly in a HSQ Series of All Beethoven String Quartets held in London's Royal Festival Hall, which wrought global concert world attention and reigning praises as crowned Royalty of All String Quartet Ensembles of The World!!
It was in this idiom of tradition that the Kronos was entering and they had waves of chamber music lovers to go up against & many of whom compared the 'strange' Kronos SQ as though a foreign country invading The hallowed Hungarian String Quartet, on the
International Musical Throne as String Quartet Monarch's of the Chamber Music & String Quartet Playing plus definitely Classical Repertoire ... Having attended many of Hungarian String Quartet Series of Beethoven's String Quartets, I plead guilty of also being very guarded when first encountering The Kronos String Quartet, yet as time did move along, The Kronos, began to become more familiar and in turn, became more or less 'traditional' and poised as an ensemble which attracted many 'classical purist's' to attend one or two of their Concerts and becoming Fans of The Kronos to today or 'Yesterday" now Grand Memories ~
The Lesson Learned: When 1st Violinist, Szekely retired, then the Second Violinist, & so forth, the camaraderie and fused ensemble fusion of The Hungarian String Quartet Changed and not for the better yet to the disappointment of many of us in London, and of audiences truly Hungarian Original String Quartet Members Fans who could not let go of our memories of Awe and true classical loving amazement at the glorious Hungarian String Quartet. All Said, I genuinely think This is now cause for Chamber Music Aficionados to take stock of in the sense of Changes again announced to The Kronos with names, I do admit, unknown to me and players of whom I've utterly no EM knowledge or with whom any studied yet continuing to play and under the by now Banner Name of The Kronos String Quartet, {and I understand the need to continue titling themselves 'The Kronos String Quartet';} but nevertheless, I know One Thing About Classical Music and about Classical Artists in Music: None can Ever Replace The Original or Originals in a coveted Chamber Music Ensemble or in rare GOAT Violinist's, aka, Jascha Heifetz or Nathan Milstein once retired or passed from this world ... And another Lesson: Do Not Try to in the least Imitate any GOAT's because part of their Greatness comes and Came from their unique individual & Only One DNA, aka, like finger prints, which none other on Earth can copy nor replace!!
Me Thinks the usage of the Name which is now nearly 50 years on, is folly for the young new Members to claim & suggest a Variation on the 'Theme of The Kronos' to what young parents of newborn's do which is to name a son after the father, but adding an & a most honourable, Jr., after the same namesake!! Perhaps New Kronos might adopt this time in memoriam tradition and term themselves The Kronos II ??? I rest my case & in so doing, Honour The Global Affection the Original Kronos String Quartet is held in and known everywhere with many teary eyes missing The Original Four of The Kronos String Quartet we got to know and grew to Love & Admire nearly 50 Years Ago . . . My serious Condolences to All Original Members of The Kronos String Quartet upon their unanimous vote Retirement and I do hope the Original Kronos might consider a sort of Farewell from The Kronos SQ International Tour to bid a global Adieu to loving and will greatly miss them Audiences The World Over ~
~ ~ ~ Respectfully submitted with Goodwill to The New ~ ~ ~
~ ~ ~ Elisabeth Matesky, Apostle of JH and NM ~ ~ ~
Fwd ~ dmg {#1} 7th March 2 0 2 4