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Violinist James Ehnes and the Minnesota Orchestra: A Three-Decade Partnership
James Ehnes is not only one of the most respected violinists on the planet, he’s seemingly the most charming guy in the world. "Be nice, be kind, be respectful" is the mantra he learned early in life, and it still guides him today.
In a candid conversation with Minnesota Orchestra violinist Emily Switzer, Ehnes reflected on everything from the emotional landscape of Sibelius’ Violin Concerto to what his Stradivarius continues to teach him. He spoke about why teaching matters to him, his long-standing connection with the Minnesota Orchestra, and even his favorite ritual when he visits the Twin Cities.
A few moments stood out. Ehnes shared that he has learned "it’s up to me to separate myself from some of the stress of life," a reminder of the pressure many accomplished artists navigate. And when asked what he might do if he weren’t a musician, he offered an answer that was a bit tongue-in-cheek: "Science or technology...something where there are answers to be found."
Ehnes’ relationship with the Minnesota Orchestra stretches back more than three decades. Most recently, audiences heard it shine in his performances of the Sibelius concerto. But the story begins in 1992, when a young Ehnes won a competition that earned him the chance to perform Sarasate’s Zigeunerweisen at the Orchestra’s Symphony Ball. Imagine witnessing that moment.
And a personal note: Emily Switzer, who beautifully conducted the interview, is the daughter of my best friend from childhood. Both of her parents are string players in the Colorado Symphony, so her musical insight – and her comfortable rapport with Ehnes – comes as no surprise.
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