We have thousands of human-written stories, discussions, interviews and reviews from today through the past 20+ years. Find them here:
Realistic level to be at
Hi all,When it comes to playing first violin in a community orchestra, what level do you think is realistic for people to be at? As in for them to not struggle with, say, 60-70% of the music that is played?
I know that many concertmasters/leaders will be university music/conservatoire graduates, but I was more thinking the rank and file.
Thanks in advance.
Tweet
Replies (5)
That is the sort of level I was thinking of.
One thing that stands out is that in order to cover most violin 1 parts, you need to be more familiar with the fingerboard than you would be in order to get by as a viola player. While viola parts rarely go a single octave above the open A string, violin 1 parts often require familiarity and fluency up to roughly 2 octaves beyond the open E string - and you’ll need that fluency on the other strings also. This includes familiarity with the distance involved in a wide variety of shifts and also being able to begin a passage on a note that starts high up the fingerboard with little immediate preparation.
As you can imagine, it takes exposure (and scales, etudes, ideally also a good teacher who is monitoring left hand / finger position and motion) to be able to get there. But depending on the expectations of your particular group, you don’t necessarily need to be there on day 1.
The repertoire an individual or a group plays doesn't mean much, unless we can hear how it turns out.












