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New shoulder (collarbone) rest
I’ve had the Pirastro Korkfer Luna violin rest for about three weeks. I wasn’t sure I’d love it, so I kept the shipping box.It wasn’t cheap.
But, the first thing I noticed is how much more voice my fiddle has with it mounted. Adjusting it was really easy. It did want to slip off of me, so I used double sided tape for the first few days.
It will not fall off of the violin.
We tried on my teachers fiddle, and she was bug eyed. It really projected. She said, “What do you call that model?”
Now, I’m getting adjusted to it, so I can toss the box it came in. I don’t have anymore discomfort than with anything else.
I think I’d recommend it.
Does anyone else use the Pirastro rest?
What do you think?
If not, what do you use, and why?
Here’s a little blurb from Laurie and the sales rep.
https://youtu.be/2RFBBf1CjFA?si=m7_fA-1OsRz0YyOI.
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Replies (8)
My teacher has tried ALL the different rests. His regular Korfker suits him the best and doesn’t mute his violin. You’re in good company.
For me though, I've never been able to make a go of playing with a shoulder rest...nothing against them, just can't make that type of support work for me.
I currently use a Rufty Tufty leather pad (Shar carries them), which provides nice padding against the collarbone and some nonslip contact under the instrument. It attaches via the end pin and comes with elastic to attach to a corner. I use a sidemount chinrest (Götz), extral tall for my long neck!
Fairly convinced that my SR tests are over, as I love th Luna so much. No Dolfinos will be able to lure me, unless given one for free. It's just an excellent shoulder rest, at least for my personal use.














More recently, I've put on a Flesch center mount chin rest, which fills a lot more of the space between my jaw and collar bone. For the other bits, which are really more about providing insurance and peace of mind when shifting down, I have a medium-gauge Acoustifoam-- sold by a sole proprietorship in Pasadena CA. It has very little contact with the instrument, and allows enough movement to get some really nice resonance. And I am no longer tempted to raise my left shoulder and make it tight.
[Note-- the website seems to be malfunctioning today. I hope she is OK. E-mail contact is avantiensemble [at] aol [dot] com.
But this is a black art. Do what works.