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Harmonics con sordino
Is there a consensus as to whether having mutes on affects how easy it is to produce harmonics? Does it make them harder, easier, or no difference one way or the other?TIA
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Edited: January 26, 2026, 1:11 PM ·
I think a mute makes harmonics more difficult. Perhaps because they are quieter, I become slower to make any necessary adjustment.
Ravel's Berceuse Sur le nom de Gabriel Fauré has some mute-related trickinesses, but I can't offhand remember if it's due to harmonics or high-position on the G-string. OTOH, with a mute can one justify G string over D string? Maybe, depending on the mute and its placement, or maybe my edition needs improvement. I'll have a fiddle with it later.
Ravel wasn't a violinist, but he knew and cared what instruments could do. (Mind you, I have not played this piece, so it could be the exception to everything else.)
Ravel asks for natural harmonics E6 and A6 on the A string. The presence of a mute doesn't seem to make much difference to the sound or the ease of making it.
My violin teacher just showed me how to make harmonics. I use a concert mute, and it has no effect whatsoever on making the octave harmonics.
(It makes me smile, I think harmonics are so darn cool!)
(It makes me smile, I think harmonics are so darn cool!)
Thanks for all the valuable input, everyone!
Anyway, just to confirm, my Spector mute has no effect on the ease of producing harmonics, natural or otherwise.










