**Edited to add surname - I don't know him personally!
A late-model example: https://i.pinimg.com/736x/11/53/66/1153665722c04432c280bf85448e3219.jpg
I suspect corners provide nodal points due to their mass.
I should perhaps try blobs of mastic in place of the missing upper corners, to seek tonal changes?
A number of acoustics enthusiasts have made cornerless violins for various reasons like reducing weight or maximizing bow clearance.
They are common among novelty collections as conversation pieces. Experimental shapes make good wall decor.
I agree. The extra glued area also increases the rigidity of those anchor points.
It is surprising that there is a linguistic difference between violins and fiddles, but cornerless violins are still considered violins by many.
I do not really consider them to be violins.
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Most of the cornerless instruments I have seen have been of the student class, some of them painstakingly crafted from carbon fiber composite materials. Of these, I have not noticed whether they sound any better or worse than their wooden counterparts.
I don't think the corners of a violin are purely decorative. They create small interior spaces convenient to tucking away reinforcing blocks. Not sure what the cornerless instruments use in their place. For all I know, reinforcing blocks might only be needed if there are corners!