I was fortunate to be able to attend Chee-Yun's concert in Irvine this afternoon and it was unforgettable; I've seen many good violinists (Bomsori, Itzhak Perlman, etc.) but her performance of Bach and Faure and Ravel were stunning; perfect technique and very emotive playing as you'd expect from one of the best violinists out there.
She also took time to explain a little about each piece, the overall composition, the reason it was composed, etc. which I think many appreciated. The pianist, Albert Cano Smit, will have an amazing future in classical piano; he was expressive, ranging from light perfect touches to powerful chords and more. This was a welcome change from the very lackluster performance Alessio Bax gave of Rachmaninoff's Piano Concerto 2 at Segerstrom last month, though the Pacific Symphony was stunning as always.
However, the main point I wanted to make is that well over half the attendees at today's concert were well under 30 and were enthralled. I also saw at least 20 kids under 12 and none of them were fidgeting or falling asleep.
Perhaps one might say was the time of day (late afternoon instead of evening), the location, or the amazing blend of Chee-Yun's violin and Albert's piano playing, but my experience today, and at other wonderful classical performances here and at venues around SoCal shows that younger people do still attend classical concerts in large numbers, and remain enthralled with the magic of a violin and piano, with or without an orchestra, just as much as people have for hundreds of years.
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There were plenty of people in attendance, at a variety of ages, although not many families with children.
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I also heard Albert Cano Smit last year, play maybe the best rendition of a Mozart Piano Concerto I've heard live. He played the last concerto (No. 27), which is a pretty introverted piece. His sound was really beautiful and his phrasing was absolutely convincing - I think it's a tricky concerto to pull off. I'm hearing him play Brahms 2nd concerto next year.
Sounds like a great concert!