this is a technical question that I have always wondered about:
Currently, I have a very little passage in octaves in a chamber music piece (Dvorak Dumky piano trio, 1st movement).
I can principally manage the octaves, but this very small motive should have an extrovert kind of expression, so I would like to use a generous vibrato. My problem is that my first finger never vibrates as largely as the third or fourth finger within an octave. One reason is obviously that it is on a lower point of the string than the higher note and thus needs a bigger vibrato motion for the same result. The second reason might be that I have a very narrow and flat tip of my first finger, with the nail reaching way up to the edge of the finger tip. I usually compensate this by putting it on the string, less steep, but in octaves, it gets forced in a certain position that is not vibrato-friendly.
The result is, that these octaves never seem quite in tune, at least, they don’t vibrate in tune.
This drives me crazy.
Any solutions or helpful ideas?
Thanks I’m advance!
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I have two "semi-solutions", depending on the relative importance of the two notes:
- allow the first finger to slide back an forth on the string; or
- exaggerate the distance from the base joints to the fingerboard, to adopt a more cello-like "open fan" hand shape.