Does anybody know where I can find the orchestral score to Bruch's double concerto for clarinet/violin and viola? I've tried searching at my local music stores and googling but I've had no luck so far.
Thank you very much! However, I am looking for the purchasable hardcopy of the score.
You can download that PDF and use an online printing service like TheBookPatch.com or even your local FedEx Office (or similar store) to print and bind a hardcopy.
1. As you are in Canada you are lucky to be able to legally use the IMSLP edition. This is not legal in the U.S.
2. BRUCH, Max (1838-1920) - Concerto for Clarinet (Violin) and Viola in E minor, Op. 88 . solo cl (vln), va & pf red ( edited Lindemann orignal edition)
Prices shown are not guaranteed.
List Price: $30.95
http://www.emsmusic.com
https://www.emsmusic.com/product_p/ems99184.htm
Full score on rental Boosey & Hawkes NY.
3.The Full score shown on IMSLP is not a critical edition of the work.
The Peters edition is a critical publication. Ask the rental dept for the price of the full orchestra score as it is not listed on the sales website.
Winston Cook-Wilson, Rental Manager, C.F. Peters Corp, New York:
T (718) 416-7821, F (718) 416-7823, winston.cook-wilson@editionpeters.com
The Double Concerto for Clarinet, Viola, and Orchestra in E minor, Op.88 was written for the composer's son Max Felix Bruch, clarinetist, and Willy Hess, violist. The complete, revised orchestral parts (rental only), the full score and a new piano reduction are available from Edition Peters (edited by Nicolai Pfeffer, 2008).
Details: Violin, Viola, Piano (the violin part was arranged from the original for clarinet; for the version with the original clarinet part see EP11234) $44.00
http://edition-peters.com/product/double-concerto-for-violin-and-viola-in-e-minor-op-88/ep11234a?TRE00000/
This is great thank you very much guys!
"1. As you are in Canada you are lucky to be able to legally use the IMSLP edition. This is not legal in the U.S."
Clinton, why do you say this about the US?
The first publication date was 1942. For a work to be Public Domain in the U.S. it must be published (not written) before 1923.
Notice that the orchestra parts are only on rental for that reason, for the original version from Boosey and for the revised version from C.F. Peters.
The largest reprint publisher Edwin F. Kalmus will not reprint the work due to it being under copyright in the U.S.
Other countries have different copyright laws.
Clinton F. Nieweg
(Orchestra Repertoire Proofreader/Editor/Librarian)
Clinton, sometimes I wish all of your collected wisdom that you've posted to all these online sites could be gathered into a single resource that us music educators could use to teach our students about printed music and copyright law. :)
CopyrightRenewals - of renewals covering this era, and I don't see Bruch in there.
The implication is the other way round: if a work is published in the US before 1923, then it is in the public domain. But if a work is published 1923-1963 then it might or might not be still under copyright, as I'm sure you know. To be still under copyright, the copyright must have been "renewed." On imslp, the original publication date of the Bruch is given as 1942. There is a database maintained by Stanford -I don't understand this stuff well. You seem to know quite a bit, especially about this Bruch concerto. I might be missing some major point. Can you clarify?
Michael,
The Bruch Double Concerto Op. 88 composed in 1911 was in manuscript form only, until 1942. Then it was edited by Otto Lindemann (1879-1946), and first published in Berlin by Rudolf Eichmann Verlag, n.d.[1942] which makes 1942 legal for the U.S.
The PD law in the U.S. depends not on the composition date but on the publication date.
The PD dates for Canada and the EU depend on the date of the composers death.
Bruch died 1920 so the work is in the public domain in Canada, life+50 years, and in the EU, and in those countries where the copyright term is life+70 years or less.
This link is keep almost current:
http://en.wikipedia.org/wiki/List_of_countries%27_copyright_length
Orchestra Librarians must know copyright law so that their organizations do not get sued by publishers.
Gene,
Many conductors and orchestra librarians are members of the OLI (Orchestra Librarian Information) group. Some of the bits of knowledge I have collected in 65+ years of being a major orchestra librarian are posted among the 6,800 searchable posts archived. Any musician may ask for an invite to access OLI
orchlibinfo-subscribe@yahoogroups.com
Clinton F. Nieweg.
(Orchestra Repertoire Proofreader/Editor)
Philadelphia Orchestra Principal Librarian (ret.).
Co-founder:
MOLA (Major Orchestra Librarians' Association) www.mola-inc.org
(for Librarians of major orchestra, band and opera organizations).
OLI (Orchestra Library Information) Yahoo group
(for Librarians of regional, community and university orchestras).
(archiving information for orchestra librarians)
http://launch.groups.yahoo.com/group/OrchLibInfo/
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February 17, 2014 at 12:19 AM · This must be it (and it's a free download!)
http://imslp.org/wiki/Double_Concerto_in_E_minor,_Op.88_%28Bruch,_Max%29