We have thousands of human-written stories, discussions, interviews and reviews from today through the past 20+ years. Find them here:

ACV30 Violin - should I upgrade?

March 10, 2012 at 10:40 PM · I currently own an ACV30 Antoni Debut violin, which I bought second-hand from a colleague at work for £50.

I've been tempted to upgrade the violin, but I've always been hesitant since I've only been playing for seven months, and I had told myself I would wait until I was Grade 4 or 5 before upgrading, when the sound difference would be much better.

I have queried this with my local violin shop, who advised that if I wanted a better student violin that made a difference to the sound, I would be looking at about £250. I can afford this, but I'm still hesitant since I do have a violin.

When is the right time at looking to upgrade to a better student violin? Are there any particular models I should consider? Or am I best just sticking to this model?

Replies (4)

March 11, 2012 at 12:21 AM · Hmmm A good time to upgrade is when you are playing grade 4 orchestra music. A general rule of thumb. For children that have started in 5th grade they mostly trade their instruments in 8th grade to prepare for high school. As far as the the model go to a violin shop for a nicer violin. Those years also make it possible to save up for a nice violin. A great step up violin should take you to 5-6 years before considering what I like to call "The One" The Otto Benjamins are a standard from Eastman Strings for a advanced violin. I heard that Snow and Gliga make very well built violins. A good price range if you want to buy from a violin shop is around $2000-$4000

March 12, 2012 at 08:51 AM · Amanda - One thing I often recommend to someone thinking of upgrading to a better student violin is simply to get a better set-up on their current one. It's amazing what you can achieve in terms of sound and playability by improving the soundpost, bridge, pegs, etc. Cheap student instruments usually come with cheap fittings which have been quickly fitted to a not very good standard. A better setup might allow to play your current instrument for a couple more years, whilst you're saving towards a proper step-up instrument when the time is right.

March 12, 2012 at 11:43 PM · The right time to ugrade is when the instrument you have won't do what you need it to. Or when you have some extra money burning a hole in your pocket. Or when you fall in love with something.

Seriously, you might go to the local shop for a couple of hours and try some things in the price range you're thinking about. You'll know quickly whether or not you would benefit from an upgrade.

March 14, 2012 at 12:40 PM · Marc has the right idea ; get your current violin set up properley. What sort of strings do you have on it now ? Good strings and a slightly better bow can make a big difference to the sound.

This discussion has been archived and is no longer accepting responses.

Facebook YouTube Instagram RSS feed Email

Violinist.com is made possible by...

Shar Music
Shar Music

Violinist.com Shopping Guide
Violinist.com Shopping Guide

Violinist.com Holiday Gift Guide
Violinist.com Shopping Guide

Larsen Strings
Larsen Strings

Peter Infeld Strings
Peter Infeld Strings

JR Judd Violins
JR Judd Violins

Dimitri Musafia, Master Maker of Violin and Viola Cases
Dimitri Musafia, Master Maker of Violin and Viola Cases

Pirastro Strings
Pirastro Strings

International Violin Competition of Indianapolis
International Violin Competition of Indianapolis

Thomastik-Infeld

LA Phil

Bobelock Cases

FiddlerShop

Fiddlerman.com

Metzler Violin Shop

Bay Fine Strings Violin Shop

Violin Lab

Barenreiter

LA Violin Shop

Johnson String Instrument/Carriage House Violins

Corilon Violins

Nazareth Gevorkian Violins

Subscribe

Laurie's Books

Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.

Violinist.com Interviews Volume 1
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn

Violinist.com Interviews Volume 2
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine