We have thousands of human-written stories, discussions, interviews and reviews from today through the past 20+ years. Find them here:
For the Record, Op. 216: Anne Akiko Meyers; Rachel Podger
Welcome to "For the Record," Violinist.com's weekly roundup of new releases of recordings by violinists, violists, cellists and other classical musicians. We hope it helps you keep track of your favorite artists, as well as find some new ones to add to your listening!

Anne Akiko Meyers. Photo by David Zentz.
Mysterium
Anne Akiko Meyers, violin
Los Angeles Master Chorale, Grant Gershon, conducting
The album features four world-premiere arrangements that showcase the mysticism of Morten Lauridsen’s "O Magnum Mysterium" and the spirituality of three beloved works from the cantatas of J.S. Bach. "Mysterium" was recorded in Walt Disney Concert Hall and utilizes the 6,100 pipes of that hall’s iconic organ. Grant Gershon and Anne Akiko Meyers have known each other since they first played chamber music together when Anne Akiko Meyers was an 11-year-old wunderkind. Anne Akiko Meyers performs on the 1741 "Vieuxtemps" Guarneri del Gesù. BELOW: From that March 23, 2022 performance, Anne Akiko Meyers performs Morten Lauridsen's "O Magnum Mysterium" with Grant Gershon and the Los Angeles Master Chorale.
Tutta Sola
Rachel Podger, violin
Following her albums Guardian Angel and Bach Solo Cello Suites, Baroque violinist Rachel Podger releases this collection of solo pieces, starting with the world premiere arrangement of Bach’s Toccata & Fugue by Chad Matthias Kelly and including preludes, dances and fugal movements from European Baroque composers including Nicola Matteis Jr., Johann Joseph Vilsmayr, Johann Paul von Westhoff, and Giuseppe Tartini. The title "Tutta Sola" means "all alone" and was inspired by J.S. Bach’s Sonatas and Fugues, which were titled "Sei Solo" and can be interpreted as "You are alone." BELOW: Podger plays Chad Kelly's transcription for solo violin of Bach's Toccata and Fugue in D Minor, BWV 565 : II. Fugue
If you have a new recording you would like us to consider for inclusion in our "For the Record" feature, please e-mail Editor Laurie Niles. Be sure to include the name of your album, a link to it and a short description of what it includes.
You might also like:
- For the Record, Op. 215: Renaud Capuçon; Alina Ibragimova; Frank Peter Zimmermann
- For the Record, Op. 214: Vilde Frang; ARC Ensemble; Violist Rose Wollman
- For the Record, Op. 213: Lara St John; Elena Urioste; Daniel Hope; James Ehnes; Escher Quartet; Wu Man
* * *
Enjoying Violinist.com? Click here to sign up for our free, bi-weekly email newsletter. And if you've already signed up, please invite your friends! Thank you.
Tweet
Replies
This article has been archived and is no longer accepting comments.













October 29, 2022 at 05:30 AM · In the late 70s/early 80s I taped a BBC Radio 3 talk which, if memory serves, made the point that the D minor Toccata & Fugue was uncharacteristic of Bach's organ writing, and that it was probably a transcription of a work for solo violin. The programme ended with a reconstruction, played by Jaap Schroeder, on a baroque violin: still a rarity in those days. I think it was transposed to A minor. Can't find the tape to check on any of this; I think it was recycled many moons ago.