We have thousands of human-written stories, discussions, interviews and reviews from today through the past 20+ years. Find them here:

Normal, high, low position - confusion?

March 5, 2020, 1:56 PM · Dear all,

I hope you can clear up my confusion. It's hard to describe but I will try.

In learning positions systematically I tried to make a chart, where a position starts and so on...

Very basically things a clear: G-String (A (1st) -> B (2nd) --> C (3rd) ...

But on E-String: Same 1st position on fingerboard would be F# (A/E/B/F#).. the F in 1st position is actually lower and lies in the 1/2 position!

Or another Problem, if I play in F-Major, first position is B-Flat, which is again in 1/2 position or play in A-flat you have a D-Flat, so do you shift on A-String to a D and move the finger lower or would you shift the whole position by a half tone...

In a violin school I read about NORMAL, LOWER and HIGHER position.

So to summarize my question is, where do you shift to, especially in different keys!? Is the position changed with key or is it than just a lower / higher finger?

Thanks a lot for any recommendations
Julia

Replies

March 5, 2020 at 10:40 PM · Hi Julia,

Go ahead and post this on the discussion board, where you will get more answers.

- Laurie

March 6, 2020 at 09:14 PM · I think you may be over-thinking this in a way that may ultimately interfere with the goal - which is to play confidently in tune up and down the fingerboard. Personally, I think that charts of fingerboard geography end up causing more confusion than help.

The first issue that you raise is just the relationship of the 5th's across the strings. Extensions often handle some of the other issues you raise.

In lieu of thinking in positions, where positions start and end, what if you simply began to go systematically through the scales? And with a systematic shifting practice - something like the Yost exercises (admittedly mind-numbing, but...)

This article has been archived and is no longer accepting comments.

Facebook YouTube Instagram RSS feed Email

Violinist.com is made possible by...

Shar Music
Shar Music

International Violin Competition of Indianapolis
International Violin Competition of Indianapolis

Violinist.com Shopping Guide
Violinist.com Shopping Guide

Violinist.com Holiday Gift Guide
Violinist.com Shopping Guide

Larsen Strings
Larsen Strings

Peter Infeld Strings
Peter Infeld Strings

JR Judd Violins
JR Judd Violins

Dimitri Musafia, Master Maker of Violin and Viola Cases
Dimitri Musafia, Master Maker of Violin and Viola Cases

Pirastro Strings
Pirastro Strings

Thomastik-Infeld

LA Phil

Bobelock Cases

FiddlerShop

Fiddlerman.com

Metzler Violin Shop

Bay Fine Strings Violin Shop

Violin Lab

Barenreiter

LA Violin Shop

Johnson String Instrument/Carriage House Violins

Corilon Violins

Nazareth Gevorkian Violins

Subscribe

Laurie's Books

Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.

Violinist.com Interviews Volume 1
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn

Violinist.com Interviews Volume 2
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine