V.com weekend vote: How often do you play scales?
Ah scales, they are wonderful and they are magical. I turn to them when I need to warm up, when I need to get in shape, when I need to work something out. What are your views on scales, and how often do you play them? What scale system do you use, and how many octaves do you play? Do you have a routine for working through various kinds of scales? Do you do something other than scales that you feel serves the same function? Please participate in the vote and then share your thoughts!
Comments (9)
Violin Technique: Curing the Crash Landing on Bow Retakes
What happens when you play down-bow, then you have to lift the bow in the air and play another down-bow?
Hopefully not a "crash landing"!
We call this action a "re-take" or a "circle bow." Ideally, the bow lands gently, without any kind of offensive or unintended sound.
However, when the bow "crash-lands," it tends to bounce, skitter and scratch. It feels out of control, because it is.
What is causing this crash landing, and how do you get it back in control? Here are a few culprits: weakness in the bow hold; landing in the middle instead of the lower-half of the bow; and landing while still in motion.
In this video I've outlined a few ways to "cure" the crash landing - including some exercises for strengthening the right pinkie. Here it is for you to watch, and I'll describe the exercises below:
Comments (3)
In Appreciation of Composer William Schuman and His Violin Concerto
I wanted to pay a special tribute to the great American composer William Schuman (1910-1992), whose birthday is today.
Writing in Washington Post in 1992, the critic Joseph D. McLellan asserted that although Schuman never achieved the name recognition of his colleagues Aaron Copland and Leonard Bernstein, he "probably had a stronger and more durable effect on American musical life." (Source: The New York Times.)
Sometime in early 2000s when I was still a student at the Juilliard School, I was asked to step in on a short notice for a performance of Schuman’s Violin Concerto with the Mexico City Philharmonic and Maestro Jorge Mester.
Even though the Concerto perhaps is still rather underrated, it remains one of the great American Violin Concertos. It is an absolute master piece that I love to perform. Have you heard William Schuman’s music? Do you know his Violin Concerto? Here is my recording, please enjoy!
"William Schuman was a very special, as a composer, educator, administrator and cultural advocate. He was also a person of great wisdom, charm and wit. A truly special human being."Keep reading...
- Morton Gould
Comments (2)
Learning Good Intonation: Transformation Is Always Possible
If a person appears to be "tone deaf" or "has no sense of pitch," can that person successfully learn to play the violin?
I was thinking about this recently, while listening to a student play a shifting exercise perfectly in tune, hitting every ringing tone dead-on. I actually had to fight the urge to make her repeat the exercise, just so I could hear it again. So in-tune! I smiled - intonation bliss.
What made it even more blissful was the fact that this very same student, just a few years ago, played very out-of-tune, most of the the time. The transformation was remarkable.
While some students never need a primer in pitch, sometimes a student just doesn't seem to hear pitch at all. The student plays out of tune, without even noticing it. A teacher can stop and fix things, but ultimately the student must be able to do that for himself or herself. Keep reading...
Comments (6)
Violinist.com is made possible by...
International Violin Competition of Indianapolis
Virtual Sejong Music Competition
Dimitri Musafia, Master Maker of Violin and Viola Cases
Laurie's Books
Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine
