Now the instrument feels completely foreign to me and my confidence on the instrument is gone even though some aspects of my technique have remained. I’m very discouraged and sad about what was once the most important thing in my life being lost to me.
I told my teacher this and we started from the beginning with Suzuki books.
Does anyone have any suggestions for me aside from what I’m already doing by starting over with Suzuki books? My main issues are intonation and reading rhythms.
Keep in mind I work full time and go to college full time so I have maybe 30 minutes a day for practice if I’m lucky now.
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For building back your technique, start with the simplest thing that you can do well and build from there. Scales in only the position, for example.
If you have difficulty translating rhythm on a page to rhythm in real time try going the other way - that might require pencil and paper - or at least visualization.
I carry a couple of "time signatures" in my head (60 and 120 beats per minute) and the "average of those" (i.e., 90 beats per minute) is easily intuited therefrom. Any of those can be subdivided by 2, 3 or 4. "Dotted notes" are just summing the subdivisions in different ways.
It does not hurt to try "sight reading" music "in your head" without your instrument. This might help you learn the pitch intervals before you play them. I've been playing for a long time and sometimes, when I come across music I do not recognize, doing this "silent sight reading" is all it takes to realize I have played that before, or at least heard it.
My suggestion is, make sure you have the right teacher. If you do, then dive into their tutelage and make the best of things for yourself. Find a book of studies that will provide an appropriate (not insane) level of challenge. "Instrument is foreign to me" then try Wohlfahrt 60 studies (Rachel Barton Pine edition!!!) and if that's too easy then Kayser. Kayser is considered "low level" but trust me -- it's not all that easy to play those studies really well.
Me? I now enjoy life as a violinist in a chamber orchestra, and a violist in a different chamber orchestra, and a member of string quartet club where mostly I play viola. Our next "date" is for a Haydn quartet and ... drumroll, please ... Schubert's "Death and the Maiden" quartet. Last week we did a Haydn and the Rosamunde which was awesome but easier.
Don't worry so much about "reading" rhythms. Worry about *playing* them. If you can be rhythmically accurate with practice, that's going to be fine. For most of what you're likely to do with your violin, sight-reading probably won't be hugely important, and it WILL improve with time. There have been many many many threads on that already.
I am an adult learner/amateur and as such I work 13 hours a day 6 days a week and have done for YEARS.
I started learning about 13 years ago, then had to stop after 5 years, then started again and then stopped after 2 years, I stopped for a whole 5 years nearly 6.
When you stop and you are 'intermediate' (lower intermediate), all you have learnt goes away much more quickly than if you stopped at an advanced level.
Even though I am an amateur I am 'very' serious about my learning, I am some very slight aspergers traits to me although I am not on the spectrum and I demand a lot from myself all the time...this makes it even more difficult, but can pay huge rewards too.
I restarted after my 5+year break 2 and a half years ago, I had to restart on suzuki book 2, fast forward now and I am learning the Eccles sonata in Suzuki 8 (after 2 and a half years), my EXTREMELY experienced teacher (she teaches professionals so she knows a thing or two) has just started me on scales in 3rds (3 octaves all keys 'up to D major/minor), this is a compliment to me as if she believes I am ready to start them then I must be approaching a higher end of intermediate!
I recently 2 weeks ago started learning ricochet, this is of course not the most difficult stroke, quite contrary, however it is something that it is not usually taught to beginners....
what have I changed in my approach mentally?
I STOPPED CARING (or rather WORRYING) about how fast I am progressing and how good/bad I am...please do not misinterpret this, I 'do' care if I sound in tune and have good tone/phrasing etc, but I look at it 'objectively' now
My teacher has also taught me a lot about letting go of tension and fear, mistakes and bumps happen and it's just 'information' for your learning.
I also took a couple of hypnotherapy sessions to 'reset' my mindset and has helped.
There is only one thing for sure: if you give up or not practice then it will not happen, but consistent focused practice even if only half a hour a day WILL help you improve
do not be disheartened by having gone right back, the second time you walk up the hill it is not as hard! I KNOW!!!
after all now you have decided this is not going to be a professional job so relax, take a breath, and learn how to look after yourself, the violin will follow!!!
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