Probably thee technically advanced piece I have played is the two following
Motzart: Nachtmusik
Bach: Double Violin Concero
Pachellebelle: Canon in D
I'm wanting to play more challenging pieces as far as chords are concerned as well as something that might require a bit more dexterity from a faster tempo/subdivisions and something that would allow for me to practice higher positions I would prefer not to bite off more than I can chew but would appreciate any pieces that any of you guys can suggest so I can improve upon what I already know I'm looking at pieces for chords and found the Chaconne by Bach as well as the passacaglia by biber
Which leads me to my question
In Chaconne literally the first chord in the piece is a D F A which I don't know how D and F could be played together they are on the same string the F and a could be played together but the A could be a little harder to play because second finger would be on the D string the D and A could be played together easily I heard something on a video about this piece about "Voices" could someone explain?
Furthermore there's a chord on the passacaglia that's a G on D B on A and G on E your fingers would overlap and be impossible to play neither of these pieces are written to be played Da Vici so I am clueless on how to tackle them any help would be appreciated
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In terms of specifics someone can correct me if I'm wrong, but I would say technique work would help you the most since it would help you isolate each aspect of your playing. For double stops, I would start with something like either Trott's melodious double stops or just plain old-fashioned scales in at least thirds sixths, and octaves. For dexterity, the Schradieck book for finger dexterity is a classic, and for high positions, there are three-octave scales. I would recommend Barbara Barber's Scales for Advanced Violinists since it lays out each of the 24 scales very nicely including their respective double-stop scales. However, whatever you decide to do, as I said before it would be wise to do it with a teacher so that they can monitor your progress and make sure you're practicing them correctly. Pieces are great, but they have a lot more variables compared to technique where they will allow you to focus on specifics through the guidance of a teacher at your current stage of development.
That being said, Mary's suggestion of the Accolay is an excellent one. Haydn's G major Concerto could be another good one as well.
I must agree with Mary Ellen a second time and respectfully say that these are much above your current skill level. The fact that you were unaware that open D can also be played as 4th finger on the G string in order to play the chord is very telling...
While it doesn't delve into the level of detail that you describe, there's a really excellent YouTube masterclass by Isaac Stern on the Chaconne. Watching it, one begins to sense the level of sophistication of this amazing composition.
It was kind of amusing. After listening to the student play the piece all the way through, Stern asked, "How much time have you spent with the Chaconne?" He responded, "Two weeks."
Blake, Christian Harvey suggested Trott. That's a good suggestion. Whistler also has a double-stop book. Check that one out, too.
I think you like the sound of Bach. I suggest learning the S&Ps in a graduated way. Begin, say, with the double following the Sarabande from Partita no. 1. It has broken chords that teach you to blend notes that follow each other.
Here's a model: https://youtu.be/1E7SypK8Y8c
and also: https://youtu.be/J55-0LMNGK4
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I strongly recommend you look up fiddle tunes with the chords written out. Another good piece to look at is the Accolay. The last two pages have some fun double stops.
Good luck!