My guess is it may end up getting a lot of foreign students, somewhat similar to Roosevelt University in Chicago. This program is similar -- superstar violin teacher with generous merit aid situated in an otherwise only so-so university. However, it draws a lot of very talented foreign students who are excluded from a lot of the top conservatories because they are ineligible for financial aid.
There are certainly a few well-known pairings of schools and orchestras – Philadelphia Orchestra/Curtis; Cleveland Orchestra/Cleveland Institute of Music - but even there it is very far from a one to one correspondence.
You can find Indiana University alumni in pretty much every professional orchestra at every level, but lots of successful musicians never set foot on the Bloomington campus, and plenty of musicians went to Indiana, but are now doing something else with their lives.
I think that depends on the reason. The institution can certainly be considered to have failed the student if the reason they're not employed in a field related to their major is because the institution has inadequate career services for helping new graduates get jobs, because the institution has not provided the student with knowledge to be employable (assuming that the student's major corresponds to a career field), etc.
(Yes, I recognize that students do attend universities simply for the sake of broadening their mind, exploring new interests etc. etc. etc. but to me, that's effectively a statement of privilege. Most students in the US attend college so they can earn a credential that will allow them to get past the gatekeepers of professional jobs that pay enough for them to gradually dig out of the massive hole of college debt they likely had to take on.)
Since Mary Ellen may not have understood either I'll expand a bit. This information is useful in any school because if you go to study football and nobody has ever been recruited for a major team I think you can conclude that you are rather unlikely to be the first [for whatever reason - maybe the good athletes go elsewhere, the teaching is poor, or the emphasis is on something different like sports history!
It seems almost trivial to conclude that the same is true for the violin. If your purpose is to be a symphony violinist and only one person in 20 years who graduated from that school became one its pretty safe to say that you are unlikely to - again for whatever reason (student ability, school emphasis, teaching quality etc etc).
Since Mary Ellen may not have understood either I'll expand a bit. This information is useful in any school because if you go to study football and nobody has ever been recruited for a major team I think you can conclude that you are rather unlikely to be the first [for whatever reason - maybe the good athletes go elsewhere, the teaching is poor, or the emphasis is on something different like sports history!
It seems almost trivial to conclude that the same is true for the violin. If your purpose is to be a symphony violinist and only one person in 20 years who graduated from that school became one its pretty safe to say that you are unlikely to - again for whatever reason (student ability, school emphasis, teaching quality etc etc).
Since Mary Ellen may not have understood either I'll expand a bit. This information is useful in any school because if you go to study football and nobody has ever been recruited for a major team I think you can conclude that you are rather unlikely to be the first [for whatever reason - maybe the good athletes go elsewhere, the teaching is poor, or the emphasis is on something different like sports history!
It seems almost trivial to conclude that the same is true for the violin. If your purpose is to be a symphony violinist and only one person in 20 years who graduated from that school became one its pretty safe to say that you are unlikely to - again for whatever reason (student ability, school emphasis, teaching quality etc etc).
@Lydia, the problem is that when people collect and distribute "data" often the "reasons" aren't conveyed. And I also agree with your "statement of privilege" notion. I've said before that the operational definition of being upper middle class is the ability to go to college and major in whatever you want (or ditch most of your classes and graduate with a 2.2) because you know you'll never starve.
My concern is not really with the idea that the purpose of college is earning a professional credential. My concern is with the way "outcome data" is collected an interpreted.
Auditions aren’t linear, and one doesn’t need to look very hard to find examples of really fine musicians who ended up (by choice) practicing law, practicing as an MD or RN, working in IT, or selling insurance.
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