A question came up regarding whether it's common for orchestral trumpet players to moonlight as lead players in stage/jazz bands where a lot of loud high-note playing is required.
I'm talking about higher-tier orchestras.
My assumption is that if someone wins a chair in a good pro orchestra their priority is going to be to maintain their orchestral sound and accuracy but maybe there are a number of players who do both.
Anyone have any insight?
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One other thing about cross-genre playing: Keith Jarrett and Wynton Marsalis, who are among the few people who have had success in both genres, have said in interviews that they could not play both classical and jazz in the same concert. It involves a complete change in mindset.
Also note the difference between people who are primarily soloists, versus those who primarily play in sections. The clarinetist Benny Goodman's venture into classical music largely involved playing chamber music, like this recording of the Mozart Quintet with the Budapest Quartet, and appearing as a soloist with orchestras--Copland wrote his concerto for Goodman. However, one would not have found him in the woodwind section of an major orchestra, although he did play in radio orchestras, broadway musicals, and session recording work early in his career.
One of my trumpet colleagues on the west coast is principal of a major opera orchestra, substitutes with one of the biggest symphonies in the country, but also plays movie and television soundtrack sessions in Hollywood, and previously was in drumcorps. I get the impression that a lot more of the younger trumpeters in the past couple decades have a more diverse approach to their instrument, and don't specialize quite as early.
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