I have memories as a child in a Suzuki group class of us all playing Twinkle while doing questions and answers with the teacher.
There's one exception, only because I know the piece so well: having played Messiah six times and sung it five times, I can now sing the bass part of the Hallelujah chorus while playing the viola part. It helps that the viola part can be played with my head off the chinrest most of the time.
With electric bass, that is the instrument i played as a pro in the last decades (now no more..) i can sing a melody with another key and time signature over what i'm playing with the bass ..... :D
I was used to make crazy a collegue guitarist, during a period, with this :D
With bass, i started to play and sing solo at the same time and i never thought it was something impossible...... Maybe this form on incoscience is the necessary fuel to happen in it.... :)
Many times, when i was playing a particular gig 20 years ago, an itinerant pop musical act with live music, i played bass in the "pit", and at the same time with a mic i directed with words and cues the other musicians in the band directly into their headphones. I had a system for switching the mix so that i could sing a couple of songs as the main voice with the same mix, and the rest i did background voice.
All of this while mixing the stage mix for musicians and singers. A couple of time i also did the main PA mixing, on top of this.
I don't really believe that was i described could be considered exceptional. I never put in question that it's something that can be done by almost everybody, with "open ears", practice, and no fear to fail. :)
I also think you do not have to be taught,the above is just an example that it can be done.
Mark King is a great example of bass player singing.
"Multi-tasking" is a myth! I sure know that it's not something of which I'm capable.
For me, multi-tasking is being "able" to direct my conscious mind on more than one task at a time. As I say, not possible for me. I can only focus my conscious mind on one task at a time. While doing that, I likely may rely on habits to simultaneously follow through on other aspects of the project at hand. But to my mind, that's not multi-tasking. Is it multi-tasking to breathe, to do vibrato, to play in tune, etc., all while we are concentrating on playing a piece? No, I don't think so.
I used to be quite good at multitasking - indeed, isn't that precisely the art of the conductor? However, you can only focus intently on one thing at the time.
Contradiction? Actually no. For example I can play and sing 'Ba-ba black sheep' Elvis' Jailhouse Rock but don't ask me to do the same for a Schubert lieder (er, which I can't sing anyway, but you get the point)! To me the art of multitasking is to be able to very quickly switch between the two tasks. Thus, the computer analogy is split CPU time between the two - which is, of course, what the simple computer does.
I try to be prepared so that if my brain shuts down on stage or gets distracted, I know I can still 'auto-pilot' and keep playing.
Humans are already doing a lot of stuff without thinking, breathing, digesting, pumping blood, cleansing the blood and lymph systems,... We do them well without being conscious of them.
I doubt that Joshua Bell is calculating his taxes while performing a concerto or Tessa Lark drafting a message to a friend... They play well because nearly 100% of their conscious mind is focused on the concerto.
Yes, I can count while playing but only in those parts where I have learned that I need to pay attention to the duration of a note or focus on a dynamic. Too much distraction and it all falls apart.
Multitasking has been correctly defined and doing multiple thing poorly at the same time.
I should add that for the rapid attention-switching multitasking it really helps if the tasks are very different.
With respect to the present case it means that singing and violin playing surely can be done as long as both are relatively simple. Indeed, its also common to play an instrument and also dance (there were even special violins made for the dance instructor).
What she said in the interview surprised me in that it was such a difficult thing for her to learn to do. My singing is always bad, but it doesn't get appreciably worse if I try to do it while I'm playing the violin.
I am not aware of many tasks that are more multi than violin playing.
There are two kinds of multitasking: Those where all the simultaneous tasks are part of one higher level task. Driving a car is another example of this kind of multitasking (far simpler than the violin but with far more dangerous consequences of errors) . Telephoning while driving or singing while playing OTOH are unnecessary multitasks and most of us should abstain from them because they impact the quality of the main task. Especially when the main task is already plenty complex.
OTOH you do have a point because if singing and playing really two tasks since they both follow the same music. Thus, a folk singer-guitarist is not really thought of as multi-tasking when accompanying themselves playing Strawberry Fair but they would be if they did so while cycling!
I do tell students that practicing playing violin, reading music, reading and interpreting and acting on the signs and symbols in printed music, being attentive to the conductor, section leader, other players, etc. is good practice for driving.
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Here's a related one: What do you focus your attention on while you play?
For example,
1. The current note(s) you are playing?
2. The upcoming notes or phrases?
3. The sounds you hear?
4. Your current finger(s) placement?
5. Your left hand position?
6. Your bow grip?
7. The emotions you have while you play?
8. The audience?
9. The accompaniment (e.g., piano or orchestra)?
10. The conductor (if there is one)?
11. The emotions in the music?
12. The beat?
13. Etc.
- And, does your attention go back and forth, either because you choose it that way or because it's just what happens?
- And, whatever your attention is at the moment, do you have control over it?