This weekend my wife and I had a chance to know a bow maker that I learned about his name on v.com. Because of our busy schedules we had to schedule the trip with a quite few weeks in advance. It was worth the wait. The journey was not simple considering we had decided to take our bikes as part of the trip: one hour drive to the ferry terminal, a ferry boat trip of 1h 40mins, a bike ride of 20 mins, another ferry trip of 20 mins and finally another 15 mins bike ride.
We were warmly greeted at his atelier, and we were later joined by his dear wife, both on their 80s. Fun fact: he was a photojournalist and their path crossed when a charming violinist had trouble to find someone in town to re-hair her bow and it needed to be shipped to another town. He was quick and said: I will do it for you without even the name of that funny stick with a hair on it. And he somehow did it (the power of love?). Moving forward, he became interested in learning more about bow making, eventually moved to NY, was trained by William Salchow and the rest is history.
It was a memorable afternoon, surrounded by violins and bows, of course, with a delightful conversation, full of wisdom and experience. But as every dream comes to an end we had to depart and start all the way back home. Now without rain.
As a hobbyist violin player such moments are precious. How about you, what has been your experience when meeting/visiting a maker?
Turning to the other side of the bench, as a maker, when it comes to people, what makes you frustrated or excited?
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Meeting the fourth maker was most unexpected; I met Fernando Solar Gonzalez, at his shop in Madrid, Spain in 1990. I was there for a week of work-related meetings and had a day off. My wife and I took a taxi to a street with the same name as the street of his shop - but it was the wrong street in a residential part of the city. We were able to find a phone to call another taxi that took us to the right place. There "Solar" showed us the "Stradivari King of Spain" quartet of inlaid instruments he had made and I got to play on both violins. I had bought my 1971 Solar violin in 1975 from a seller in the south of England via a classified ad in the "old format" STRAD magazine.
Not as adventurous as AC, but it was enough for us.
He did impress on me the need to keep his name from coming to the attention of the revenue men, to which end he stuck a false (German!) label over his own and gave me an extremely shabby case to carry through customs. I decided this would only draw attention to itself so the violin went into my shoulder bag, its protruding neck disguised with a sock. Thinking back I'm actually a bit shocked at what the consequences could have been...
But seriously…
I have enjoyed innumerable pleasant contacts with various makers, for purposes ranging from repairs to commissioning a new instrument. I have learned something from each encounter and have formed some nice friendships.
As far as traveling goes, the furthest I have traveled to meet a maker and pick up a violin was from Brooklyn, New York to Cremona, Italy! I wrote a blog about it on my website, rkviolin.com called “My Pilgrimage to Cremona”.
So we meet very often, and I try his new Kruse and Rovelli models (and one lucky day the two real Kruse and Rovelli, not every day you play a Strad and a Guarn after enjoying some Rhone Valley vineyard good wine…)
And an other good friend in the same workshop is bow maker.
Lucky Life…
Stephen, I'd say that marketing and sales people in shops can be even more likely than individual makers to snub people who don't happen to fit their particular "profile of a serious buyer".
John is a fine violist (he is well known for his) and through him I met another Newton violinist. At that point I asked him if he had made any cellos - he had made two and one was owned by a serious amateur in Toronto (a psychiatrist that happened to work in the same hospital as I did). At that point I joked that if we all four got together we would have a single maker, Newton-Quartet!
Well three weeks later I got a call - John had arranged it and for several months thereafter we would get together to play. So 'meeting my maker' led to a lovely friendship and much fine music.
Laura Vigato (Brescia Italy): I contacted her via email as I could not find one of her violins to buy in the UK where I live...I asked her if she had any for sale or whether she would make me one.
she had one she just finished and was showing it at an exhibition in Italy, she said after the exhibition was over she would ship it to me...I could try it for a week and return it if I thought it was not a suitable match.
The deal was done, I loved it and kept it (this was July 2014 9 years ago). Later that year in September I went to visit a family member in Italy so I dropped her a line and went to visit her.
She is great of course, lovely lady, her workshop very fascinating.
She gave my violin a health check while I was there and a light touch up to the varnish where it got slightly marked by the packaging on transit as it was sent to me in a very hot summer week.
:)
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