edit: I think the wide part actually should sit just in from the acromion on the boney not the soft surface.
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-Left SR side on shoulder
-bottom end of violin on collarbone
-right side of SR on chest
In this way, every part of the shoulder rest is used, and you still feel "connected" to your instrument via the collarbone, as sometimes it's claimed is only possible by not playing with a shoulder rest (not a pro-SR vs no-SR thread-not my intention, do not worry.) It adds even more stability/security as well, without ever a true need to press down.
Some players balance the violin in the air with their shoulder rests between shoulder and chest. I am too old to remember what I did when I was young, but may have used your position "in error" when I was experimenting.
The way I do it is not the norm, but what feels more comfortable and natural for me. I often do not entirely agree with some "how to use shoulder rests" tutorials. We are all different, and it is fine as long as you do not press down with your chin on the instrument or abuse your shoulder with undue pressure in some way (nerve pain/damage can happen when improperly using a shoulder rest.)
I am honestly suspicious of your SR's right side being on the air rather than on the chest regardless, and would have to see it to have a better idea. *I* would definitely not have the middle section of the rest on my collarbone, as it would prevent me from contact with the instrument-perhaps would be too high a position as well-but as I said, that is perhaps just me.
(It also depends on the shoulder rest. No need to mention which one you are trying-tonal differences may happen, but what is most important is that it is comfortable for your playing. Some SRs are harder to adjust than others, preventing certain positions, so often you have to get used to them. Also, the shoulder rest relationship with your particular chinrest is of utmost importance.)
and the violin has the contact point he names:
-bottom end of violin on collarbone
as well as the contact of the chinrest (or top of the instrument) with your "chin" or jaw.
If your neck is too long to achieve this you may need a higher chinrest of a different shoulder rest.
No shoulder rest of my experience as been stable or secure enough to rely on for the necessary stability (for me - anyway).
There may be alternate ways to successfully hold or "angle" the instrument for some players to eliminate the need to depend on a shoulder rest. The secret for some may lie in the way you position the violin neck in contact with your thumb.
(I say this because I have only recently realized that my early violin teachers (may have) had the parochial opinion there was only one way to position my left thumb on the violin neck (and the resulting effect on my left arm posture) rather than learning to adapt it to my arm length and hand size as I grew. I only realized this very recently while observing videos of various virtuoso performers.)
Some shoulder rests also have longer legs (or some that can be ordered) that could help you avoid your solution, if you are inclined to try them.
For me, the "3 contact points" matter and utter relaxation is what is more essential whenever using a shoulder rest. It needs not be a cumbersome thing that keeps your neck in place. Even the huge Bonmusica should not be used as a neck medical device, as I fear many think shoulder rests are to-or should-be used.
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