Of course, this is a real challenge, and I don't pretend to have nearly all the answers, but here are a few things I have found effective.
1. Find the beat. Most people who listen to any kind of music immediately and instinctively look for the beat (usually 2, 3, or 4 to a measure).
2. Look for off-the-beat accents. Most people who like popular music and jazz and folk music are attracted by off-the-beat accents. And many do not realize how much is in classical music. I'll bet you can add a jazz beat to a lot of Bach's music and it will work.
3. Of course, look for the melodies and harmonies and counterpoint, etc.
4. Listen to the violin as if it is a human voice. Often there is a sense of hearing it "speaks."
5. Listen to (and look at) the often incredible technical mastery of the violin in performance. Watch those fingers and that bow.
6. Obviously, give a bit of the history of the piece and of the composer and the violinist.
Anybody have any other ideas?
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Orchestral, Operatic, Chamber is made to be an acquired taste. It takes exposure and sampling. The biggest detractors are those who make some kinds of music either the epitome of music or the trash of music.
As Duke Ellington said: "It it sounds good, it is good!"
Our Violins, Violas, Celli,... are just instruments to make music. People make the music happen. Music speaks to and evokes our emotions.
Even some of the musicians that are held in disdain (Andre Reiu comes to mind as one example) are making music popular including music that is decidedly classical.
We're no longer in the age where both orchestra and audience is dressed in formal attire. The barriers are falling and the prospects opening. "Black Violin" "Two Set" and many others are mingling all the genres of music and opening new audiences.
Invite a person to a concert, get their impressions, and listen to their responses. Become a bit like "Mr. Holland" and show people that the music they already like has classical roots. People like Bach, they just don't know its Bach."
"If it sounds good, it is good!"
https://stringsmagazine.com/helen-kellers-stunning-description-of-hearing-beethovens-ninth-symphony/
Sometimes when their attention is called just to the beat or the the syncopated rhythms, then in paying attention to the rhythmic aspect they automatically really listen to the melodies and so forth and then it dawns on them that there is something here worth listening to. I've found that more often than not.
It's not necessarily telling them what to feel, but indirectly calling their attention to something they ordinarily wouldn't pay attention to. And then it's the music or the performance that pulls in their attention.
But we each have an enormously complex brain with individualized experiences, strengths, needs, functions, etc. And one highly significant aspect of that brain is its ability to focus its attention. And I believe that sometimes if we can suggest something that someone can focus their attention on, their own inner mental and psychological processes take over and find things about it to understand and appreciate and utilize.
After all, isn't one of things a teacher does is to find ways to help the student focus his or her attention so that the student's motivation to learn and master and appreciate the subject is stimulated?
Vibes all the way down.
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