My interests are on folk music, but to play together we will need two instruments.
So far testing on my wife Stentor Student I, I have tested on shop €5-700 violins and noticed the difference.
Researching on Thomann I noticed shop violins are normally twice more expensive than online.
A Stentor Student I is sold for 300 in shop. General advice I get and read was to start in renting an upper beginner/low intermediate violin in the 500-1000 range, so to have a better sound and more options to resell it later. I have some doubt
Purchasing online I can have a better value for the money, paying Stentor I 150 and let's say a Yamaha V3 300 (equivalent to 600 in shop). There is a difference at this low level?
A Yamaha V3 can be considered an upper beginner/lower intermediate?
Apart the sound, a better violin (in that cost range) will have us progressing easily?
Purchasing online I cannot test (me or the teacher) neither rent. Better settle on Stentor I or a little better Gewa Allegro level but in shop?
Tweet
I can rent only in shop for six months and after need to decide if to buy it or not, with previous doubts applied.
My granddaughter was one example, she started at age 6-1/2 and I bought a cheap imported 1/2-size violin for her and it had all kinds of troubles - so we started the rental process, I went with her to choose it at a well-known local violin dealer shop. Within a year she graduated to a 3/4, which we also rented. (By going with her I could chose the best available violin and bow.) In another year she was ready for full-size (she grew fast when she was young) and I let her use one of mine until she was about 12, when I let her chose one of mine for her life-long instrument That was about 21 years ago and she still has it plus a more recently inherited 1845 violin made in Germany by an ancestor (on my wife's side) and brought to this country in the 1890s by one of my granddaughter's great-great-grandfathers - who made his living on it in New York City until my wife's father (as a small boy) sat on it - and it had to be replaced. It was repaired fairly recently (and well done) by one of that boy's granddaughters.
I had one adult cello student who came to me with a cello she had bought on line for about $250. But by the time she came to me for lessons she had already more than doubled her cost with new strings and a new bridge. By the time she got a better case and bow she was already up to about $1,000.
I recall an old English adage from my young days,
"Penny wise, Pound foolish!"
A good option for a full-size violin is to find someone in your town who gave up violin because of age, too busy, etc., who might be willing to LEND you an instrument, possibly even at no charge or very little. For this I would imagine social media and outfits like Craigslist (or whatever equivalent site there might be in Italy) could be helpful. I have unused 4/4 and 3/4 violins that I would not hesitate to lend to someone who seemed responsible and trustworthy but with limited means.
If money is tight, may I respectfully suggest that you set aside your "remote past desire" of performing as the Trapp Family and concentrate your limited funds on your daughter's needs. You'll be twice as happy when she's twice the violinist that you initially envisioned.
My wife is already using all his ability to help our daughter, we noticed in fact that she seems more interested seeing also the papa that's "playng" and listening too.
Also on my side will be not only an opportunity to expand a bit my personal life aside my work - love my work but very demanding in term of time - but also enjoy more beautiful moments with my wife.
Assuming that turns out to be the case, then follow up by purchasing a violin that's really pleasing to play. That can be expensive; but, it can also be well worth the expense.
This discussion has been archived and is no longer accepting responses.
Violinist.com is made possible by...
Dimitri Musafia, Master Maker of Violin and Viola Cases
ARIA International Summer Academy
Study with the Elizabeth Faidley Studio
Johnson String Instrument/Carriage House Violins
Discover the best of Violinist.com in these collections of editor Laurie Niles' exclusive interviews.
Violinist.com Interviews Volume 1, with introduction by Hilary Hahn
Violinist.com Interviews Volume 2, with introduction by Rachel Barton Pine
My husband and daughter started together, he bought his instrument, and he ended up quitting because of time commitment problems. When my daughter got old enough to play a full size, she needed a much better instrument than that, so we ended up having to sell it anyway.
You can probably think about buying instruments once you’re sure that it’s worth the investment. And seek the help of your teacher, who should be helping you with these decisions.